“Old Hundredth” p. 162 (originally published in New Worlds Science Fiction #100, November 1960)
Short fiction, Who Can Replace a Man? (1965)
Context: When the first flint, the first shell, was shaped into a weapon, that action shaped man. As he molded and complicated his tools, so they molded and complicated him. He became the first scientific animal. And at last, via information theory and great computers, he gained knowledge of all his parts. He formed the Laws of Integration, which reveal all beings as part of a pattern and show them their part in the pattern. There is only the pattern; the pattern is all the universe, creator and created.
“Among others there are three methods for shaping shells: the freely shaped hill, the membrane under pressure and the hanging cloth reversed.”
"New Shapes for Shells" (1961) Bulletin of the International Association for Shell Structures, No. 8: pp. 123-130, as quoted by John Chilton, "39 etc… : Heinz Isler’s infinite spectrum of new shapes for shells" (2009) Proceedings of the International Association for Shell and Spatial Structures (IASS) Symposium 2009, Valencia, Evolution and Trends in Design, Analysis and Construction of Shell and Spatial Structures, 28 September – 2 October 2009, Universidad Politecnica de Valencia, Spain, eds. Alberto Domingo, Carlos Lazaro.
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Heinz Isler 4
engineer 1926–2009Related quotes
"Down Among the Dead Men", Swamp Thing Annual #2, 1985
Swamp Thing (1983–1987)
“Art shouldn’t be only the aesthetics we hang on the wall, but a dynamic to shape the society.”
Graf, Marcus. Concepual Colors of Genco Gulan, Revolver Publishing http://www.revolver-books.de/, 2012. ISBN-13: 978-3868952049.
On “consumeristic appetite for interviews,” New York Times (17 August 1986)
II, st. 1
The Winding Stair and Other Poems (1933), A Dialogue of Self and Soul http://poetry.poetryx.com/poems/1397/
Context: What matter if I live it all once more?
Endure that toil of growing up;
The ignominy of boyhood; the distress
Of boyhood changing into man;
The unfinished man and his pain
Brought face to face with his own clumsiness;
The finished man among his enemies?—
How in the name of Heaven can he escape
That defiling and disfigured shape
The mirror of malicious eyes
Casts upon his eyes until at last
He thinks that shape must be his shape?
“There is one god, greatest among gods and men, similar to mortals neither in shape nor in thought.”
Fragment 23, as quoted in Notes on Greek Philosophy by Anthony Preus (Global Academic Publishing, 1996), p. 10
Paik (1969) Versatile Color TV Synthesizer, Manifesto, cited in: Edith Decker-Phillips. Paik Video, Barrytown, Limited, 1998. p. 154
1960s
The Tale of Taleisin
Context: I have fled in the shape of a raven of prophetic speech,
in the shape of a satirizing fox,
in the shape of a sure swift,
in the shape of a squirrel vainly hiding.
I have fled in the shape of a red deer,
in the shape of iron in a fierce fire,
in the shape of a sword sowing death and disaster,
in the shape of a bull, relentlessly struggling.
“Life into death—life’s other shape, no rupture, only crossing.”
“Awakening of a Flower,” p. 38
Circling: 1978-1987 (1993), Sequence: “A Conversations with Atoms”