
“I gyve unto my wief my second best bed with the furniture”
Shakespeare's will
Memórias - Página 73, de Nelson Rodrigues - Publicado por Edições Correio de Manhã, 1967
“I gyve unto my wief my second best bed with the furniture”
Shakespeare's will
in his letter to the Bolognese writer Raimondi of September 11, 1919; as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 102
Morandi was referring to some still life paintings he recently made, and he pressed Raimondi to lend him the monograph of Cézanne (written by Vollard and published in 1914).
1925 - 1945
Source: The Poet at the Breakfast Table (1872), p. 120 The Writings of Oliver Wendell Holmes, Vol. 3 (1892)
Orlando Sentinel (6 November 1992)
Context: I grew up as a TV baby, with my TV babysitter, up until I was about 10. Then my mother just ripped the thing out of the wall and put it in a closet, and we didn't watch it. I have that sort of ability to become addicted to it. And I'm just so fascinated by it once I turn it on, I'm not even that aware what's there. I'm just watching it. So I don't ever turn it on. I get my news from the newspaper. I don't want to watch the Hollywood news product on TV... There's no other piece of furniture in my home I'd stare at for three hours at a time, so I try not to do it to the TV.
Remarkable Guide to the Orchestra (2008)
"Mariel", in Camera, n. 10, October 1956; quoted in Conversazioni https://www.beic.it/mostre/monti/conversazioni.html, BEIC.
Original: (it) Finalmente ad aiutare i ricordi venne una macchina, l'apparecchio fotografico un tempo ingombrante come un mobile in mezzo alla stanza, oggi leggero, lucido e preciso come un'arma. Preciso. E fedele?
22
Essays in Idleness (1967 Columbia University Press, Trns: Donald Keene)