“Based on the metaphysical implications of the Dadaist dogma.... Arp's Reliefs [carvings] between 1916 and 1922 are among the most convincing illustrations of that anti- rationalistic era... Arp showed the importance of a smile to combat the sophistic theories of the moment. His poems of the same period stripped the word of its rational connotation to attain the most unexpected meaning through alliteration or plain nonsense.”

— Marcel Duchamp

1921 - 1950
Source: 'Appreciations of other artists': Jean (Hans) Arp (sculptor, painter, writer) 1949, by Marcel Duchamp; as quoted in Catalog, Collection of the Societé Anonyme, eds. Michel Sanouillet / Elmer Peterson, London 1975, pp. 143- 159

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Marcel Duchamp66

French painter and sculptor 1887–1968

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“As Arp and I are sitting in the large living room of my house on Central Park in November 1958, we try again and again to understand the significance of Dada for ourselves and for others. Many elements surfaced in me and in the 'Fantastic Prayers' [his poems Phantastische Gebete, Zurich 1916] at the same time; resistance against the 'civilization' we live in, fury about a purely factual world which leaves out personality and thus creative power, the means of irony and underlying religiousness. Ball turned religious during the times of dadaism, Arp is a religious person today, and I have always been one, without wanting to realize it, perhaps without knowing it.”

Richard Huelsenbeck (1892–1974) German poet

Quote in his 'Preface' by Richard Huelsenbeck, New York, November 1958, in Phantastische Gebete; published by Arche Verlag, Zurich, 1960 (transl. by Johannes Beilharz, 2000)

“Put in a nut-shell, my thesis amounts to this. The repeated attempts made by Rudolf Carnap to show that the demarcation between science and metaphysics coincides with that between sense and nonsense have failed. The reason is that the positivistic concept of 'meaning' or 'sense' (or of verifiability, or of inductive confirmability, etc.) is inappropriate for achieving this demarcation — simply because metaphysics need not be meaningless even though it is not science. In all its variations demarcation by meaninglessness has tended to be at the same time too narrow and too wide: as against all intentions and all claims, it has tended to exclude scientific theories as meaningless, while failing to exclude even that part of metaphysics which is known as 'rational theology'.”

Karl Popper (1902–1994) Austrian-British philosopher of science

Ch 11. "The Demarcation between Science and Metaphysics." (Summary, p. 253)
Conjectures and Refutations: The Growth of Scientific Knowledge (1963)

“Evolution is true, it happens, it is the way the world is, and we too are one of its products. This does not mean that evolution does not have metaphysical implications; I remain convinced that this is the case.”

Simon Conway Morris (1951) British palaeontologist

Source: Life's Solution (2003), p. XV.

“We visited Meudon [c.1938] to see Hans Arp and though, to our disappointment, he was not there and his wife, Sofie Täuber showed us his studio. It was very quiet in the room so that one was aware of the movement in the forms... I thought of the poetic idea in [Hans] Arp's sculptures. I had never had any first-hand knowledge of the Dadaist movement, so that seeing his work for the first time freed me of many inhibitions and this helped me to see the figure in landscape with new eyes... Perhaps in freeing himself from material demands his idea transcended all possible limitations. I began to imagine the earth rising and becoming human.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1961 - 1975, Barbara Hepworth, A Pictorial autobiography', 1970, p. 283

“I admired and felt the anonymous structure of the work of Brancusi, Vantongerloo, Arp, and Taeuber-Arp [the wife of Hans Arp] whose studios I visited. [Kelly frequently visited Hans Arp and his wife in Paris and discussed his fresh-made art with them intensively]. Their work reinforced my own ideas for the creation of a Pré-Renaissance, European type art: its anonymous stone work, the object quality of the artifacts, the fact that the work was more important than the artist’s personality. Of the Europeans, I mostly admired the way Picasso, Klee and Brancusi 'made' their art. Contrary to what has been said about me, Mondrian and Matisse did not interest me when I was in Paris. Mondrian’s [paintings] could not be seen in Paris and when I did see them in Holland in 1953, I thought their structure too rigid and intellectual.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'

“Every time people cite a principle of theoretical physics in support of a metaphysical doctrine or physical dogma, they commit a mistake, for they attribute to this principle a meaning not its own, an import not belonging to it.”

Pierre Duhem (1861–1916) French physicist, historian of science

Notice sur les Titres et Travaux scientifiques de Pierre Duhem rédigée par lui-même lors de sa candidature à l'Académie des sciences (mai 1913), The Aim and Structure of Physical Theory (1906)

“Each one of these bodies [art-works which Arp made] certainly signifies something, but it is only once there is nothing left for me to change that I begin to look for its meaning, that I give it a name.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 383

“Don't think for a moment that Mbeki is not anti-white - he is, most definitely. His speeches all have anti-white themes and he continues to convince everyone that there are two types of South African - the poor black and the rich white.”

Helen Suzman (1917–2009) South African politician

As quoted in "Democracy? It was better under apartheid, says Helen Suzman" https://web.archive.org/web/20120901223952/https://www.telegraph.co.uk/news/uknews/1462042/Democracy-It-was-better-under-apartheid-says-Helen-Suzman.html (15 May 2004), by Jane Flanagan, The Telegraph <br class="br">2000s

“It is better to have the child in the chimney corner moved by what happens in the poem, in spite of his ignorance of its real meaning, than to have the poem a puzzle to which that meaning is the only key. Still, complicated subjects make complicated poems, and some of the best poems can move only the best readers; this is one more question of curves of normal distribution. I have tried to make my poems plain, and most of them are plain enough; but I wish that they were more difficult because I had known more.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Answers to Questions," from Mid-Century American Poets, edited by John Ciardi, 1950 [p. 170]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“I am convinced that the minimum-wage law is the most anti-Negro law on our statute books—in its effect, not its intent.”

Milton Friedman (1912–2006) American economist, statistician, and writer

Source: An Economist's Protest: Columns in Political Economy (1966), p. 163

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