Martí : Thoughts/Pensamientos (1994)
Context: There are men who live contented though they live without decorum. Others suffer as if in agony when they see around them people living without decorum. There must be a certain amount of decorum in the world, just as there must be a certain amount of light. When there are many men without decorum, there are always others who themselves possess the decorum of many men. These are the ones who rebel with terrible strength against those who rob nations of their liberty, which is to rob men of their decorum. Embodied in those men are thousands of men, a whole people, human dignity.
“Men who marry for gratification, propagation or the matter of buttons or socks, must expect to cope with and deal in a certain amount of quibble, subterfuge, concealments, and double, deep-dyed prevarication.”
Source: The Note Book of Elbert Hubbard (1927), p. 159.
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Elbert Hubbard 141
American writer, publisher, artist, and philosopher fue el … 1856–1915Related quotes
Upon receiving GLAAD's Golden Gate Award, which honors a member of the entertainment or media community for their outstanding contribution in combating homophobia
On songwriting styles of the post-World War II era, in an interview with Bob Boilen on All Songs Considered (17 November 2006) http://www.npr.org/templates/story/story.php?storyId=15961159 (NPR)
Context: The songwriting style, to me, is superior... there was a certain amount of joy in it, no matter how sad the song is. You get joy in listening to these Buddy Holly or Roy Orbison sad lyrics. I'm attracted to songs that have balance between the darks and the lights and giving them all equal opportunity.
“There is a certain amount of sham in . There is a certain amount of theatre.”
De Abaitua interview (1998)
Context: There is a certain amount of sham in. There is a certain amount of theatre. It’s as loosely knit as that. We’re sort of coming out of the closet a bit more over the next couple of years. We’re going to be bringing out – manifesto’s too pushy a word – if it’s a theatre of marvels, we’re bringing out a theatre programme in the next couple of years. We’re working on it at the moment – our unified field theory of spookiness where we try to explain everything from language, consciousness, grey aliens to Rosicrucianism or whatever. It is a grand, mad theory which I’m working my best on at the moment to make it rational. It is an anti-rationalistic theory but I’m trying to couch it in rational terms so that it is not as insular as a lot of magic stuff.
The Crisis No. IV.
1770s, The American Crisis (1776–1783)