“Ken Noland would use concentric circles; he'd want to get them in the middle [of the painting] because it's the easiest way to get them there, and he want them there in the front, on the surface of the canvas. If you're that much involved with the surface of anything, you're bound to find symmetry the most natural means.”

Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 118

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Frank Stella39

American artist 1936

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“Ken Noland has put things in the center [of the painting] and I'll use a symmetric pattern, but we use symmetry in a different way. It's non-relational. In the newer American painting [in contrast to European geometric art] we strive to get the thing in the middle, and symmetrical, but just to get a kind of force, just to get the thing on the canvas. The balance factor isn't important.”

Frank Stella (1936) American artist

Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 118

“But there was something else that the Abstract Expressionists taught us: they began to use something besides the conventional means of art; to want other kinds of paint, or kinds of canvas, or ways of making pictures that weren't the usual ways. Some of the next generation, the Pop Art artists [like Roy Lichtenstein and Andy Warhol, picked up this attitude and began to put actual things into art. We [=w:Morris Louis and Noland] were making abstract art, but we wanted to simplify the selection of materials, and to use them in a very economical way. To get to raw canvas, to use the canvas un-stretched – to use it in more basic or fundamental ways, to use it as fabric rather than as a stretched surface.”

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“Gleizes was only trying to reduce the curvature of natural volumes to adapt them more naturally and rigorously to the surface of the painting, a surface which he believed to be continuous with the wall and, for all practical purposes, with no curvature at all.”

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“I always get into arguments, with people who want to retain the old values in painting — the humanistic values that they always find on the canvas. If you pin them down, they always end up asserting that there is something there besides the paint on the canvas. My painting is based on the fact that only what can be seen there is there. It really is an object. Any painting is an object..”

Frank Stella (1936) American artist

Quotes, 1960 - 1970 <br class="br">Source: LIFE http://books.google.com/books?id=XUoEAAAAMBAJ&pg=PA49, Vol. 64, nr. 3, 19 January 1968, p. 49

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Ruqat-i-Alamgiri, as quoted in Later Mughals : Volume II : 1719-1739 (1922) by Irvine William Irvine http://www.archive.org/details/latermughals02irviuoft <br class="br">Quotes from late medieval histories

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“I was embarrassed by it and racked by middle-class guilt. But when you're on stage, if you're trying to be something you're not, it becomes so much harder. It's better to be honest and take every vulnerability and flaw you have, and mock them and deal with them.”

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