“I already see things backwards! You see, in printmaking everything comes out backwards so printing is an absolute natural for me. It is difficult for a lot of artists to do prints because they draw one way and can’t imagine it the other way. I always had trouble reading as a child. Every few minutes my mind would shift and I would pick out all the o's, than all the letter a's on a page.”

— Robert Rauschenberg

Source: 21st Century, Robert Rauschenberg, Works, Writings and Interviews, 2006, p. 28

Adopted from Wikiquote. Last update Sept. 14, 2021. History

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Robert Rauschenberg 47

American artist 1925–2008

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“I had a screenplay once where I was 90 pages in and I knew it was all over. I knew it was a disaster. And it was driving me crazy because the studio had gone down a path with me, so there was no getting out and I didn’t know how to go past these 90 pages. And then it all worked out—and the change which made it from absolute despair that there was no way to save it to it all working out was minute. But, but key. INTERVIEWER: Which screenplay was that? JAMES L. BROOKS: Uh, it was Terms of Endearment.”

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“I still have a struggle reading [dyslexia] and so I don't read much... Probably the only reason I'm painter is because I couldn't read yet I love to write, but when I write I know what I'm writing, but when I'm reading I can’t see it, because it goes from all sides of the page at once. But that's very good for printmaking.”

Robert Rauschenberg (1925–2008) American artist

Quote from interview: 'Robert Rauschenberg talks...', Maxime de la Falaise McKendry, 6 May 1976, p. 34
1970's

“Eve,” I said, “please stop for a minute. I think I finally get it. As you read to me aloud, the words become alive for me, and I can see pictures in my head. But when I try to read, all those little letters just confuse me. Because it’s the white of the page between the words that truly grab me. Do I make any sense? Reading, I do believe, is a very unnatural thing. But to listen to a story, like sitting around a campfire, is very natural.”

Victor Villaseñor (1940) American writer

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“How difficult it is to learn not to see like cameras, which has had such an effect on us. The camera sees everything at once. We don't. There's a hierarchy. Why do I pick out that thing, that thing, that thing?”

David Hockney (1937) British artist

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“You know that I do not share your opinion in this matter. That Spinozism and Atheism are to me two different things. That when I read Spinoza I can only explain him by reference to himself and that if it came to naming a book which, of all that I know, most agrees with my way of seeing things, then I would have to name the Ethics—even though by nature I do not share his way of seeing things.”

Baruch Spinoza (1632–1677) Dutch philosopher

Original in German: Du weißt daß ich über die Sache selbst nicht deiner Meinung bin. Daß mir Spinozismus und Atheismus zweyerlei ist. Daß ich den Spinoza wenn ich ihn lese mir nur aus sich selbst erklären kann, und daß ich, ohne seine Vorstellungsart von Natur selbst zu haben, doch wenn die Rede wäre ein Buch anzugeben, das unter allen die ich kenne, am meisten mit der meinigen übereinkommt, die Ethik nennen müsste.
Johann Wolfgang von Goethe, in one of his letters to Friedrich Heinrich Jacobi, 1785
G - L, Johann Wolfgang von Goethe

“Now, such an enterprise as would be the drawing and printing [by lithography ] of a series of, for instance, thirty pages of types of workmen, a sower, a digger, a woodcutter, a plowman, a wash-woman, then also a child's cradle or a man from the almshouse - well, the whole immeasurable field lies open, there are plenty of beautiful subjects - I should think the following would be the best way: as it is useful and necessary that Dutch drawings are made, printed, and spread, destined for the houses of workmen, a few persons should unite in order to use their full strength for this end.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

quote in his letter to brother Theo, from The Hague, The Netherlands in Autumn 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 249), p. 20
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“My dear Hoschedé, I do not know if in Paris it is the same weather as here, it is probable and so you will be able to understand my discouragement. I am heartbroken, and I absolutely must share with you all my disillusionment; for nearly two months, I have given myself a lot of trouble without result. You do not believe it perhaps, but it is so: I have not lost an hour and would have reproached myself to have taken even a day to come see our exhibition, just out of the fear of losing a single good painting session, an hour of sun. I alone can know my anxieties and the trouble that I give myself to finish canvases that don't even satisfy me and please so few people. In a word, I am absolutely discouraged, not seeing, not hoping in any future... I feel all too well the void that is being made around me and the impossibility of facing up to my part of our expenses if we were to continue living together... I see everything in black, in pain... Please believe all the sorrow that I have in causing you trouble.”

Claude Monet (1840–1926) French impressionist painter

In a letter to Ernest Hoschedé, May 15, 1879 (W, letter, 158); as cited in: Mary M. Gedo (2013) Psychoanalytic Perspectives on Art. p. 123
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“What is that you express in your eyes? It seems to me more than all the print I have read in my life.”

Walt Whitman (1819–1892) American poet, essayist and journalist

Variant: What is that you express in your eyes? It seems to me more than all the words I have read in my life.

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Robert Rauschenberg 47

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