
Zelda Producer Eiji Aonuma Talks Creating Majora's Mask And His Personal Hobbies http://www.gameinformer.com/b/features/archive/2015/02/21/zelda-eiji-aonuma-interview.aspx?PostPageIndex=3 (February 21, 2015)
Interview with Jake Kerridge, The Telegraph, 26 Sep 2009 http://www.telegraph.co.uk/culture/books/bookreviews/6227400/PD-James-Queen-of-Detective-Fiction-Interview.html.
Other
Zelda Producer Eiji Aonuma Talks Creating Majora's Mask And His Personal Hobbies http://www.gameinformer.com/b/features/archive/2015/02/21/zelda-eiji-aonuma-interview.aspx?PostPageIndex=3 (February 21, 2015)
interview with 3am http://www.3ammagazine.com/litarchives/2003/feb/interview_china_mieville.html
On his decision of what genre to write in in “Interview with Ariel Dorfman” https://www.dalkeyarchive.com/interview-with-ariel-dorfman/ (Dalkey Archive Press)
[Bob Kane and Tom Andrae, Batman & Me, Eclipse Books, Forestville, CA, 1989, 1-56060-017-9, 43]
‘Nashville’ Star Chris Carmack on Introspective New EP: Ram Report https://www.rollingstone.com/music/music-country/nashville-star-chris-carmack-on-introspective-new-ep-ram-report-188637/ (December 11, 2015)
“Don't classify me, read me. I'm a writer, not a genre.”
"How I Started to Write", in Rick Simonson and Scott Walker (eds.) The Graywolf Annual Five: Multi-Cultural Literacy (St. Paul, Minn.: Graywolf Press, 1988); cited from Myself With Others (London: Pan, 1989) p. 27.
Interview with Joan Gordon
Context: There’s simultaneously something rigorous and something playful in genre. It’s about the positing of something impossible—whether not-yet-possible or never-possible—and then taking that impossibility and granting it its own terms and systematicity. It’s carnivalesque in its impossibility and overturning of reality, but it’s rationalist in that it pretends it is real. And it’s that second element which I think those who dip their toes in the SF pond so often forget. They think sf is “about” analogies, and metaphors, and so on. I refute that—I think that those are inevitable components, but it’s the surrendering to the impossible, the weird, that characterizes genre. Those flirting with SF don’t surrender to it; they distance themselves from it, and have a neon sub-text saying, “It’s okay, this isn’t really about spaceships or aliens, it’s about real life,” not understanding that it can be both, and would do the latter better if it was serious about the former.