
“But I am happy. And happiness, I have decided, is a noble ambition.”
Source: Abraham Lincoln: Vampire Hunter
On his artistic work till date.
This is a sum of all my experiences: SH Raza
“But I am happy. And happiness, I have decided, is a noble ambition.”
Source: Abraham Lincoln: Vampire Hunter
As quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 512
posthumous, undated
Section 1.14 <!-- p. 40 -->
The Crosswicks Journal, A Circle of Quiet (1972)
Context: The rational intellect doesn't have a great deal to do with love, and it doesn't have a great deal to do with art. I am often, in my writing, great leaps ahead of where I am in my thinking, and my thinking has to work its way slowly up to what the "superconscious" has already shown me in a story or poem.
“I have offended God and mankind because my work didn't reach the quality it should have.”
“I have only one thing to say to the tax increasers: Go ahead, make my day.”
Speech threatening to veto legislation raising taxes http://www.reagan.utexas.edu/archives/speeches/1985/31385b.htm (13 March 1985)
1980s, Second term of office (1985–1989)
Source: The Note Book of Elbert Hubbard (1927), p. 54.
Quoted in Helen McCarthy, Osamu Tezuka: God of manga , translated by Fabio Deotto, Edizioni BD, 2010, back cover.
“Or am I going to take that and channel it into my work? It is a gift.”
Strange Horizons interview (2004)
Context: I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. … For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" … I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.
Quoted in The Guardian, Wednesday 4 July 2012 http://www.guardian.co.uk/culture/2012/jul/04/eric-sykes
William Lever, quoted in C. Wilson, The History of Unilever, London: Cassell, 1954, vol. 1, p. 187; Requoted in Witzel (2004: 166)