Jean Dubuffet book Prospectus et tous écrits suivants
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 63-73
"The Farmer as a Conservationist" [1939]; Published in The River of the Mother of God and Other Essays by Aldo Leopold, Susan L. Flader and J. Baird Callicott (eds.) 1991, p. 263.
1930s
Jean Dubuffet book Prospectus et tous écrits suivants
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 63-73
Aldo Leopold book A Sand County Almanac
“April: Sky Dance”, p. 34.
A Sand County Almanac, 1949, "April: Come High Water," "April: Draba," "April: Bur Oak," & "April:Sky Dance"
Pricasso (1949) Australian painter
[Lee Rondganger, Artist with unusual technique a Sexpo hit, The Star, South Africa, 28 September 2007, 2, Independent Online]
Samuel Butler book The Way of All Flesh
Source: The Way of All Flesh (1903), Ch. 14
Context: Every man’s work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself, and the more he tries to conceal himself the more clearly will his character appear in spite of him.
Matthew Scully (1959) American political writer and speechwriter
Dominion (2002)
William Empson (1906–1984) English literary critic and poet
"Legal Fiction", line 9; cited from John Haffenden (ed.) The Complete Poems (London: Allen Lane, 2000) p. 37.
The Complete Poems
“Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.”
Oscar Wilde book The Picture of Dorian Gray
Source: The Picture of Dorian Gray
“A great portrait is always more a portrait of the painter than of the painted.”
Samuel Butler (1835–1902) novelist
Portraits
The Note-Books of Samuel Butler (1912), Part VII - On the Making of Music, Pictures, and Books