
"I am not I", from Lorca and Jiménez: Selected Poems, chosen and translated by Robert Bly (Boston: Beacon Press, 1973), p. 77
The Thief's Journal (1949)
"I am not I", from Lorca and Jiménez: Selected Poems, chosen and translated by Robert Bly (Boston: Beacon Press, 1973), p. 77
An Old Man's Thoughts on Many Things, Of Education I
Cloak of Anarchy (p. 115)
Short fiction, Tales of Known Space (1975)
Book XLIII, line 628
Translations, Orlando Furioso of Ludovico Ariosto (1773)
In "The Way I Look at Race" https://sinatrafamily.com/forum/showthread.php/46953-Frank-Sinatra-on-Racism by Sinatra (as told to Allan Morrison), in Ebony (July 1958)
Context: In terms of my singing I have sometimes been asked how it all began, and it’s usually been a little hard for me to set the story down in any continuous narrative. From the days of my childhood I’ve been listening to sounds and singers, both colored and white, and absorbing a little bit here and a little bit there. Countless musicians of talent have helped. But it is Billie Holiday, whom I first heard in 52nd Street clubs in the early 1930s, who was and still remains the single greatest musical influence on me. It has been a warm and wonderful influence and I am very proud to acknowledge it. Lady Day is unquestionably the most important influence on American popular singing in the last 20 years. With a few exceptions, every major pop singer in the U. S., during her generation has been touched in some way by her genius.
“It is easy to be admired when one remains inaccessible.”
Un Art de Vivre (The Art of Living) (1939), The Art of Loving
In his letter to Atterbury Bishop of Rochester. Sept. 23. 1720.
the cathedral pastor visiting Ólafur
Heimsljós (World Light) (1940), Book Four: The Beauty of the Heavens