“The world cracks open for those willing to take a risk.”
Source: A Year in the World: Journeys of a Passionate Traveller
1950s, Conversations With Artists, 1957
“The world cracks open for those willing to take a risk.”
Source: A Year in the World: Journeys of a Passionate Traveller
June 13, 1943 edition of the New York Times, brief manifesto: Adolph Gottlieb with Mark Rothko and Barnett Newman.
1940s
" The evolution of adventure in literature and life or Will there ever be a good adventure novel about an astronaut? http://tuvalu.santafe.edu/~jdf/papers/adventure4.pdf".
Address http://www.ted.com/talks/james_cameron_before_avatar_a_curious_boy.html/ to the 2010 TED conference (13 February 2010)
Context: Imagination is a force that can actually manifest a reality. … Don’t put limitations on yourself. Other people will do that for you. Don’t do that to yourself. Don’t bet against yourself. And take risk. NASA has this phrase that they like, "Failure is not an option." But failure has to be an option. In art and exploration, failure has to be an option. Because it is a leap of faith. And no important endeavour that required innovation was done without risk. You have to be willing to take those risks. … In whatever you are doing, failure is an option. But fear is not.
“At is taking risks.... a sincere attempt to achieve the impossible, the unknown.”
short quotes, 14 September 1967; p. 68
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
poem before 1973; in a exh. cat., ed. Suzanne Delehanty (1973; repr., Philadelphia: The Falcon Press, 1976), p. 40
1970's
Source: In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol. VII: The Past Recaptured (1927), Ch. III: "An Afternoon Party at the House of the Princesse de Guermantes"
Context: By art alone we are able to get outside ourselves, to know what another sees of this universe which for him is not ours, the landscapes of which would remain as unknown to us as those of the moon. Thanks to art, instead of seeing one world, our own, we see it multiplied and as many original artists as there are, so many worlds are at our disposal, differing more widely from each other than those which roll round the infinite and which, whether their name be Rembrandt or Vermeer, send us their unique rays many centuries after the hearth from which they emanate is extinguished.This labour of the artist to discover a means of apprehending beneath matter and experience, beneath words, something different from their appearance, is of an exactly contrary nature to the operation in which pride, passion, intelligence and habit are constantly engaged within us when we spend our lives without self-communion, accumulating as though to hide our true impressions, the terminology for practical ends which we falsely call life.
“The world's a fine place for those who go out to take it; there's lots of unknown stuff in it yet.”
A Man of Devon (1901)
Context: The world's a fine place for those who go out to take it; there's lots of unknown stuff in it yet. I'll fill your lap, my pretty, so full of treasures that you shan't know yourself. A man wasn't meant to sit at home...
Iraq? They just need to think it through (2007)
Context: There isn't just one point; it takes time to learn. You don't have to be intelligent, but I think you have to be open to possibilities and willing to explore. The only stupid people are those who are arrogant and closed off.