
Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 86
"Roles, Masks, and Performances", New Literary History, Vol. 2, No. 3, Performances in Drama, the Arts, and Society (Spring, 1971), p. 520
1970s
Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 86
VIII 2, as quoted in The Acentric Labyrinth (1995) by Ramon Mendoza
De immenso (1591)
1840s, Past and Present (1843)
Context: Democracy, which means despair of finding any Heroes to govern you, and contented putting up with the want of them,—alas, thou too, mein Lieber, seest well how close it is of kin to Atheism, and other sad Isms: he who discovers no God whatever, how shall he discover Heroes, the visible Temples of God?
in La formation scientifique, Une communication du Prix Nobel d’économie, Maurice Allais http://www.canalacademie.com/Maurice-Allais-la-formation.html, address to the Académie des Sciences Morales et Politiques (1997).
Context: Any author who uses mathematics should always express in ordinary language the meaning of the assumptions he admits, as well as the significance of the results obtained. The more abstract his theory, the more imperative this obligation.
In fact, mathematics are and can only be a tool to explore reality. In this exploration, mathematics do not constitute an end in itself, they are and can only be a means.
Part 1: "The Creative Mind", §9 ( p. 20 http://books.google.com/books?id=TeHXAAAAMAAJ&q=%22We+re-make+nature+by+the+act+of+discovery+in+the+poem+or+in+the+theorem+And+the+great+poem+and+the+deep+theorem+are+new+to+every+reader+and+yet+are+his+own+experience+because+he+himself+re-creates+them%22&pg=PA20#v=onepage)
Science and Human Values (1956, 1965)
VI. The language of Form and Colour
1910 - 1915, Concerning the Spiritual in Art, 1911
Source: The Naked Now: Learning to See as the Mystics See
"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews