E M Forster -0bituary of Roger Fry ,1940 ,'Biography of RogerFry'by Virginia Wolf , Harcourt, Brace and Co, New York 1940.
Art Quotes
Source: The War of Art: Break Through the Blocks & Win Your Inner Creative Battles
Quote of Ad Reinhardt (1963); as cited in: Joseph Kosuth, (1969), " Art after Philosophy http://www.ubu.com/papers/kosuth_philosophy.html"
1956 - 1967
Variant: The one thing to say about art is that it is one thing. Art is art-as-art and everything else is everything else. Art as art is nothing but art. Art is not what is not art.
1990s, Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere, 1998
"Wyndham Lewis Against Abstract Art" (1957), p. 164
1960s, Art and Culture: Critical Essays, (1961)
“I just do art because I’m ugly and there’s nothing else for me to do.”
“One should either be a work of art, or wear a work of art.”
“The work of art is to dominate the spectator: the spectator is not to dominate the work of art.”
The Soul of Man Under Socialism (1891)
Context: If a man approaches a work of art with any desire to exercise authority over it and the artist, he approaches it in such a spirit that he cannot receive any artistic impression from it at all. The work of art is to dominate the spectator: the spectator is not to dominate the work of art. The spectator is to be receptive. He is to be the violin on which the master is to play. And the more completely he can suppress his own silly views, his own foolish prejudices, his own absurd ideas of what Art should be, or should not be, the more likely he is to understand and appreciate the work of art in question.
Nirgends erweist sich einem Kunstwerk oder einer Kunstform gegenüber die Rücksicht auf den Aufnehmenden für deren Erkenntnis fruchtbar. Nicht genug, dass jede Beziehung auf ein bestimmtes Publikum oder dessen Repräsentanten vom Wege abführt, ist sogar der Begriff eines "idealen" Aufnehmenden in allen kunsttheoretischen Erörterungen vom Übel, weil diese lediglich gehalten sind, Dasein und Wesen des Menschen überhaupt vorauszusetzen. So setzt auch die Kunst selbst dessen leibliches und geistiges Wesen voraus—seine Aufmerksamkeit aber in keinem ihrer Werke. Denn kein Gedicht gilt dem Leser, kein Bild dem Beschauer, keine Symphonie der Hörerschaft.
The Task of the Translator (1920)
De l'esprit or, Essays on the Mind, and Its Several Faculties (1758)
Context: Discipline is, in a manner, nothing else but the art of inspiring the soldiers with greater fear of their officers than of the enemy. This fear has often the effect of courage: but it cannot prevail against the fierce and obstinate valor of people animated by fanaticism, or warm love of their country.
