
As quoted in "Profile: The Soloist" by Joan Acoccella, in The New Yorker (January 19, 1998); reprinted in Life Stories: Profiles from The New Yorker https://books.google.com/books?id=KDhjzXAjyUMC&pg=PA62 (2000), edited by David Remnick, p. 62.
Bring Me a Unicorn (1971)
As quoted in "Profile: The Soloist" by Joan Acoccella, in The New Yorker (January 19, 1998); reprinted in Life Stories: Profiles from The New Yorker https://books.google.com/books?id=KDhjzXAjyUMC&pg=PA62 (2000), edited by David Remnick, p. 62.
Nicolas Love, April 1987
1975 - 1987, BBC interview (1981)
Source: Warhol in his own words – Untitled Statements ( 1963 – 1987), selected by Neil Printz, in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467
1990s, I Am a Man, a Black Man, an American (1998)
Context: I agree with Ralph Ellison when he asked, perhaps rhetorically, why is it that so many of those who would tell us the meaning of Negro, of Negro life, never bothered to learn how varied it really is. That is particularly true of many whites who have elevated condescension to an art form by advancing a monolithic view of blacks in much the same way that the mythic, disgusting image of the lazy, dumb black was advanced by open, rather than disguised, bigots.
Return of the Crimson Guard (2008)
“As much as I feel sad, I think that not knowing is what really bothers me.”
Source: The Perks of Being a Wallflower
Source: The Art of Probability for Scientists and Engineers (1991), p. 298