“.. how with the [Dutch] Romantic movement after 1830 also the love awakened for everything that recalled former times to the mind - including the period of the middle-ages -, and how the sigh grew from it to collect all kind of objects that reassured the taste of those times. Here too, the celebrated [Dutch romantic painter] Nuyen stood in front.”

— Johannes Bosboom

version in original Dutch (citaat van Johannes Bosboom, in Nederlands): ..hoe met de Romantische beweging na 1830 ook de liefde ontwaakte voor alles wat vroegere tijden — ook het tijdvak der middeneeuwen — voor den geest riepen en hoe daaruit de zucht ontsproot tot het verzamelen van voorwerpen, die van den smaak dier tijden getuigden. Ook hierin stond de gevierde Nuyen vooraan.
Quote of J. Bosboom, c. 1890; as cited in De Hollandsche Schilderkunst in de Negentiende Eeuw, G. H. Marius; https://ia800204.us.archive.org/31/items/dehollandschesch00mariuoft/dehollandschesch00mariuoft.pdf Martinus Nijhoff, s-'Gravenhage / The Hague, tweede druk, 1920, p. 108 translation from the original Dutch: Fons Heijnsbroek)
the studio of Bosboom was more or less a small museum, exposing his collected objects from the middle-ages
1890's

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Johannes Bosboom 9

Dutch painter 1817–1891

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“The romantic [Dutch] movement under the leadership of the geniuses Nuyen [c. 1830] also attracted me to follow. And in spite of the fact that in this way people lost their color and embellishment and often degenerating into chic, later on, a more sensible search arose for enlivening of coloration, heightening effect and strengthening the relief.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch (citaat van Johannes Bosboom, in Nederlands): De romantische beweging onder aanvoering van den genialen nl:Wijnand Nuijen trok ook mij aan tot volgen. En al verviel men langs dien weg in gekleurdheid en opgesmuktheid, vaak ontaardend in chic; er ontsproot daaruit later een meer verstandig zoeken naar verlevendiging van coloriet, verhooging van effect, vermeerdering van reliëf.
Quote from Bosboom's small autobiography, 1891; as cited in De Hollandsche Schilderkunst in de Negentiende Eeuw, G. H. Marius; https://ia800204.us.archive.org/31/items/dehollandschesch00mariuoft/dehollandschesch00mariuoft.pdf Martinus Nijhoff, s-'Gravenhage / The Hague, tweede druk, 1920, pp. 74-75 (translation from the original Dutch: Fons Heijnsbroek)
1890's

“Ressentiment is always to some degree a determinant of the romantic type of mind. At least this is so when the romantic nostalgia for some past era (Hellas, the Middle Ages, etc.) is not primarily based on the values of that period, but on the wish to escape from the present. Then all praise of the “past” has the implied purpose of downgrading present-day reality.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1973), p. 68

“We owe to the Middle Ages the two worst inventions of humanity - romantic love and gunpowder.”

André Maurois (1885–1967) French writer

Les silences du colonel Bramble (The Silence of Colonel Bramble)

“There is still some study [to do] here for the Dutch landscape, and I believe the best I can do is to stay some time longer. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Er is hier voor het Hollandsch landschap nog al wat studie en ik geloof beste te doen nog maar wat te blijven.
Quote of Roelofs in his letter from Schiedam, Summer 1865; as cited in Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850, Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 16
in the Summer of 1865 Roelofs was visiting Schiedam and its surrounding polders. In 1866 he came back here, for making his sketches in open air
1860's

“I fall in love with everything I also hate everything. It’s very hard to be a misanthrope and a romantic.”

Marilyn Manson (1969) American rock musician and actor

“All this time I'd thought we were strangers, and it turned out we knew each other intuitively, in our bones, in our blood. It was kind of romantic. Catastrophically romantic.”

Gillian Flynn book Gone Girl

Source: Gone Girl

“I remember I stood stunned as a boy, in front of the paintings of the old [Dutch] masters in our museums, how they let speak Nature to you. If I have learned to see nature by someone, it was by our old masters. But most by Nature itself.”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

translation from Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: Ik herinner me, dat ik als jongen in onze museums voor de schilderijen van de oude meesters verstomd stond, zoals ze de natuur tot je lieten spreken. Als ik van iemand geleerd heb de natuur te zien dan is het van onze oude meesters. Maar het meest van de natuur-zelve.
in an interview with J.H. Rössing, at the end of his life, c. 1902; as cited in Eind goed Al goed, de carriere van J.H. Weissenbruch https://www.artsalonholland.nl/grote-meesters-kunstgeschiedenis/johan-hendrik-weissenbruch-haagse-school, by Sander Kletter

“In our beginnings, Fantin, Whistler and I were all on the same road, the road from Holland [Dutch 17th century painters]”

Edgar Degas (1834–1917) French artist

Quote of Degas, later recalled by Paul Poujaud (written in his letter to Marcel Guérin, 11 July 1936); as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 54
Degas is recalling his early works of the 1860's
quotes, undated

“He was a romantic in his own harsh way…yet he was also realist enough to know that some times love actually did conquer all.”

Stephen King book The Dark Tower II: The Drawing of the Three

Source: The Drawing of the Three

“Just follow the lead of the Dutch seventeenth-century master-painters, we have to look at the country around us in the way the old masters did. (translation from original Dutch, Fons Heijnsbroek, 2018)”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Neem toch een voorbeeld aan de Hollandse zeventiende-eeuwse meesters, we moeten kijken naar het land om ons heen zoals de oude meesters dat deden.
as cited in Anton Mauve en de Haagse School, S.F.M. de Bodt, in 'Openbaar Kunstbezit', Den Haag, 1997b, p. 30
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