“In literary translations, it is this very articulation of expressions that matters the most to bring home to the readers the full essence of the original text in question.”

— Suman Pokhrel

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span> <br class="br">From Prose

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Nepali poet, lyricist, playwright, translator and artist 1967

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“Literary translation may be considered as rivalry between two languages (or even between two cultures) which vie to express the original idea better. It should be faithful to the original at least, and beautiful at best. A literary translator should exploit the advantage of the target language, that is to say, make the fullest possible use of the best expressions of the target language in order to make the reader understand, enjoy and delight in the translated text.”

Xu Yuanchong (1921) Translator of Chinese poetry

"New Translation Theories of the New Age" http://en.cnki.com.cn/Article_en/CJFDTOTAL-ZGFY200003000.htm, Chinese Translators Journal, 2000, issue 3, p. 2

“Too literary. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in Dutch (citaat van Jozef Israëls, in het Nederlands): Te literair.
short note in Israëls' Journal, 12 Dec. 1903, (in Jan Veth 1903, nr. 6); as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 199
Israëls was citing here Sientje Mesdag-van Houten who was characterizing his work that day; several of Israëls' paintings were present in the collection of Mr and Mrs Mesdag
Quotes of Jozef Israels, after 1900

“Through ignorance, through faith, through intelligence, through trickery and cunning, through illumination, the reader rewrites the text with the same words of the original but under another heading, re-creating it, as it were, in the very act of bringing it into being.”

Alberto Manguel (1948) writer

Reading The Future, p. 211.
A History of Reading (1996)

“All cultural translation necessitates some interpretation and simplification. No sane reader would be able to make sense of a text which consisted exclusively of directly translated, unmediated quotations from informants. Compression and editing are therefore necessary elements of cultural translation. Moreover, no matter how outstanding an anthropologist is, as a fieldworker, as a writer and as an analyst, the text always represents a selection, and it will always to a greater or lesser extent be marked by the subjectivity of the translator.”

Thomas Hylland Eriksen (1962) Norwegian social anthropologist and professor

Source: What is Anthropology? (2nd ed., 2017), Ch. 2 : Key Concepts

“Chance of source language influencing the target language and that of the translator intervening onto the style of original writer are major challenges in literary translation.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span> <br class="br">From Prose

“If the original does not exist for the reader's sake, how could the translation be understood on the basis of this premise?”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Besteht das Original nicht um dessentwillen, wie ließe sich dann die Übersetzung aus dieser Beziehung verstehen?
The Task of the Translator (1920)

“Literary texts do not exist on bookshelves: they are processes of signification materialized only in the practice of reading. For literature to happen, the reader is quite as vital as the author.”

Terry Eagleton (1943) British writer, academic and educator

Source: 1980s, Literary Theory: An Introduction (1983), Chapter 2, p. 64-65

“All arguments based on the unequal status of texts are questionable. In principle, all ancient readings have an equal status, without relation to the text or translation in which they are found.”

Emanuel Tov (1941) Israeli biblical scholar and linguist

Textual Criticism of the Hebrew Bible, 3rd ed. (2012), p.272

“It is in the translation that the innocence lost after the first reading is restored under another guise, since the reader is once again faced with a new text and its attendant mystery. That is the inescapable paradox of translation, and also its wealth.”

Alberto Manguel (1948) writer

The Translator As Reader, p. 273-274.
A History of Reading (1996)

“I will venture to assert, that a just translation of any ancient poet in rhyme is impossible. No human ingenuity can be equal to the task of closing every couplet with sounds homotonous, expressing at the same time the full sense, and only the full sense of his original.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

The Iliad of Homer: translated into English blank verse (1791), Preface.

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