“You can tear a poem apart to see what makes it technically tick… You're back with the mystery of having been moved by words. The best craftsmanship always leaves holes and gaps in the works of the poem so that something that is not in the poem can creep, crawl, flash, or thunder in. The joy and function of poetry is, and was, the celebration of man, which is also the celebration of God.”

— Dylan Thomas

Poetic Manifesto

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Dylan Thomas 50

Welsh poet and writer 1914–1953

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“Who says my poems are poems?
My poems are not poems.
When you know that my poems are not poems,
Then we can speak of poetry.”

Ryōkan (1758–1831) Japanese Buddhist monk

Variant translation:
Who says my poems are poems?
My poems are not poems.
After you know my poems are not poems,
Then we can begin to discuss poetry!
"Zen Poetics of Ryokan" in Simply Haiku: A Quarterly Journal of Japanese Short Form Poetry (Summer 2006) http://www.hermitary.com/articles/ryokan_poetics.html
Dewdrops on a Lotus Leaf : Zen Poems of Ryokan (1993)

“It is better to have the child in the chimney corner moved by what happens in the poem, in spite of his ignorance of its real meaning, than to have the poem a puzzle to which that meaning is the only key. Still, complicated subjects make complicated poems, and some of the best poems can move only the best readers; this is one more question of curves of normal distribution. I have tried to make my poems plain, and most of them are plain enough; but I wish that they were more difficult because I had known more.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

"Answers to Questions," from Mid-Century American Poets, edited by John Ciardi, 1950 [p. 170]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

“Poems should be memorized, recited, and performed. The sheer joy of the art must be emphasized. The pleasure of performance is what first attracts children to poetry, the sensual excitement of speaking and hearing the words of the poem. Performance was also the teaching technique that kept poetry vital for centuries. Maybe it also holds the key to poetry's future.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

“You can woo a girl with a poem, but you can't hold onto her with a poem. Not even with a poetry movement.”

Roberto Bolaño book The Savage Detectives

Source: The Savage Detectives

“There neither exists nor can exist any work more thoroughly dignified — more supremely noble than this very poem — this poem per se — this poem which is a poem and nothing more — this poem written solely for the poem's sake.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

The Poetic Principle (1850)

“For honesty is before honor; and though man must write his poems in sounding words, God's poems are printed best in the brave and silent duties of common life.”

Isabella Fyvie Mayo (1843–1914) Scottish poet, novelist, reformer

Reported in Dictionary of Burning Words of Brilliant Writers (1895) by Josiah Hotchkiss Gilbert, p. 388.

“The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout.
Another, more fundamental statement in poetry, is made through the images themselves — those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.”

Muriel Rukeyser (1913–1980) poet and political activist

Source: The Life of Poetry (1949), p. 31

“If a poem hasn't ripped apart your soul; you haven't experienced poetry.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

“The poem… is a little myth of man's capacity of making life meaningful. And in the end, the poem is not a thing we see — it is, rather, a light by which we may see — and what we see is life.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

Saturday Review (22 March 1958)

“It naturally follows that the creature you love next best is the person — the God-lover or God-hater (almost never, apparently, anything in between), the saint or profligate, moralist or complete immoralist — who can write a poem that is a poem.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

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