
Wanderlust interview (2009)
Source: Christopher Cordes, John Yau (1989), Bruce Nauman, 1989 Bruce Nauman, prints 1970-89: a catalogue raisonné, p. xx: In answer of the question "How does your work reflect your views on the use of language today?"
Wanderlust interview (2009)
Interview in Bill Moggridge, Designing Interactions (2007), ch. 7 http://www.designinginteractions.com/interviews/TerryWinograd
On her work being translated into several languages in “Samanta Schweblin: There’s No Place Like Home, Including Home Itself” https://lithub.com/samanta-schweblin-theres-no-place-like-home-including-home-itself/ in LitHub (2019 Jan 15)
The Telegraph interview (2005)
Context: There is no formula to it because writing every song, for me, is a little journey. The first note has to lift you and make you go, 'What's this?' You play C, but why is it that one day it leads to G and it didn't yesterday? I don't know. It's everything. It's the walk you take in the morning, it's the night before, the meeting with people, landscapes, the chats, all of that evolves in some way into melody, but I'm not sure how it's going to happen. I'm dealing with the unknown all the time and that is exciting.
Quote, 1970's; from the documentary 'Gerhard Richter - Painting', Corrinna Belz, 2011
1970's
The Search For Common Ground : An Inquiry Into The Basis Of Man's Experience Of Community (1971), p. 104