
Dr. Wallis's Account of some Passages of his own Life (1696)
p, 125
An Essay on the Art of Decyphering (1737)
Dr. Wallis's Account of some Passages of his own Life (1696)
" A Few Words on Secret Writing http://www.lfchosting.com/eapoe/works/essays/fwsw0741.htm" in Graham's Magazine (July 1841).
"On Familiar Style" (1821)
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)
Chi scrive in una lingua abbondante, è come un uomo che ha molti habiti, altri per usi domestici, altri per prodursi in pubblico, altri per le feste solenni.
XI.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 271.
Paradossi
Variant: Generations to come will scarce believe that such a one as this ever in flesh and blood walked upon this earth. (said of Mahatma Gandhi)
Source: On Peace
‘Boxing’, Political Register (10 August 1805), p. 195
1800s
Source: Pale Blue Dot: A Vision of the Human Future in Space (1994), p. 46
Context: We've tended in our cosmologies to make things familiar. Despite all our best efforts, we've not been very inventive. In the West, Heaven is placid and fluffy, and Hell is like the inside of a volcano. In many stories, both realms are governed by dominance hierarchies headed by gods or devils. Monotheists talked about the king of kings. In every culture we imagined something like our own political system running the Universe. Few found the similarity suspicious.
The Paris Review interview
Context: Many writers write a great deal, but very few write more than a very little of the real thing. So most writing must be displaced activity. When cockerels confront each other and daren’t fight, they busily start pecking imaginary grains off to the side. That’s displaced activity. Much of what we do at any level is a bit like that, I fancy. But hard to know which is which. On the other hand, the machinery has to be kept running. The big problem for those who write verse is keeping the machine running without simply exercising evasion of the real confrontation. If Ulanova, the ballerina, missed one day of practice, she couldn’t get back to peak fitness without a week of hard work. Dickens said the same about his writing—if he missed a day he needed a week of hard slog to get back into the flow.