“The biggest alien invasion picture of the summer of 1996 is Independence Day. But it's not the first. The Arrival, with a significantly lower budget than Fox's July 3 release, has that distinction, and, while this particular film doesn't boast any radical or surprising ideas, it combines numerous familiar plot elements into a suspenseful, entertaining whole. Best of all, perhaps, is the realization that some thought went into writer/director David Twohy's script. This is not a dumb movie; in fact, with its heavy reliance upon real science, it's startlingly credible.”

— James Berardinelli

Review http://www.reelviews.net/movies/a/arrival.html of The Arrival (1996).
Three star reviews

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James Berardinelli 64

American film critic 1967

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"The Dodo in the Caucus Race", p. 232
Leonardo's Mountain of Clams and the Diet of Worms (1998)

“Transformers is so belabored that it makes Pirates of the Caribbean: At World's End seem like a masterpiece of pacing. It makes that "classic" midsummer alien invasion movie, Independence Day, seem like a template for inventive plotting and solid character development. Even by Michael Bay standards, this movie is vapid. Yes, there are plenty of explosions, but those are a dime-a-dozen these days; even Discovery Channel's Mythbusters has them. Transformers isn't clean, big-budget fun; it's clean, big-budget tedium. For Transformers fans, I suppose this is a dream motion picture. For everyone else, it's a nightmare.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=591 of Transformers (2007).
One-and-a-half star reviews

“All directors always try to do their best. The kind of movie on which they are working does not matter. Directors are limited by the size of the production budget and the amount of time that they have to shoot a film, but they always try to do their best within those constraints.”

Akira Kubo (1936) Japanese actor

“I would consider doing any part as long as the script is good and the film has an interesting director.”

Daniel Radcliffe (1989) English actor

http://www.flixster.com/actor/daniel-radcliffe/daniel-radcliffe-quotes

“Godzilla is the ultimate culmination of the "who cares about plot" summer movie. A loose remake of the 1954 "classic" Japanese monster movie, Godzilla, King of the Monsters (which is itself pretty thin in the story department), Roland Emmerich and Dean Devlin's big-budget lizard-stomps-Manhattan disaster flick has been written with the brain dead in mind. The script isn't just "dumbed down," it's lobotomized. Godzilla lives and dies on special effects alone.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=58 of Godzilla (1998).
One-and-a-half star reviews

“Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

“The best shot in this film is the first one. Not a good sign… After the screening was over and the lights went up, I observed a couple of my colleagues in deep and earnest conversation, trying to resolve twists in the plot. They were applying more thought to the movie than the makers did. A critic's mind is a terrible thing to waste.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/i-know-what-you-did-last-summer-1997 of I Know What You Did Last Summer (17 October 1997)
Reviews, One-star reviews

“Kubrick wasn’t making a movie when I was working with him. He was preparing to make a movie, which is something quite different. Part of the charm of working with a director like Kubrick, if there is or was a director like him, was that during the privileged period before he even showed (the script) to the studio, it was just between him and me. You are sort of creating a game in the ball court of theory. There is no film being shot; there is no budget. It was in many ways a very exciting time. It’s also very fraught, particularly for a writer, because you don’t know if it’s going to be of any point.”

Frederic Raphael (1931) British writer

Of Eyes Wide Shut
Interview, http://www.tipjar.com/dan/raphael.htm

“[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. … Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/b/batman_begins.html of Batman Begins (2005).
Three-and-a-half star reviews

“For me, a director is more important than a big banner. A great director can do wonders. Of course, banners do matter because, ultimately, after all the hard work you put it, the film must release. This will happen only if you work with a good banner or a producer who markets your film well, gives the director whatever he wants, and releases the film.”

Rani Mukerji (1978) Indian film actress

[rediff.com, Fame, http://www.rediff.com/movies/2003/jun/12rani.htm, 23 August, 2006]
The Actress' Take On Films

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James Berardinelli 64

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