“Dualism is particularly important in both my paintings and my graphics.”

from: Years of Struggle 1902-14' Autobiography Berlin 1934
1921 - 1956

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Emil Nolde28

German artist 1867–1956

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Paul Klee (1879–1940) German Swiss painter

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Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

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James Rosenquist (1933–2017) American artist

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“It is important to see that my paintings are ultimately stimulating. They are not at all the kind of thing that inspires despair.”

Bram van Velde (1895–1981) Dutch painter

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“Explaining just what I had hoped the story to say is very difficult. I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives.”

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“I find it increasingly necessary to express my ideas first in engraving or lithography so that they may develop before I start to paint. Every year my form and expression become more sensitive, and my ideas frequently have to pass through three graphic stages before I can start on the canvas... I can hear you say no, that is impossible because the value of the colors demands quite different treatment from black and white, but it is the inner idea that I try to establish firmly through graphic preparation.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

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“I dream my painting, and then I paint my dream.”

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“Jacques Bertin's books Semiology of Graphics and Graphics and Graphic Information Processing have been stimuli for my own thinking about the representation and analysis of geographic information. I have also used both books as core readings for graduate seminars and they have generated lively discussion and prompted innovative research. I often ask graduate students to consider how cartographic research and practice in the U. S. might be different today if the English edition of Semiology of Graphics had appeared in 1967 (when it was published in French), rather than in 1983. I know that my own work would have been dramatically different if I had encountered these ideas a decade and a half sooner.”

Alan MacEachren (1952) American geographer

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“Dualism is particularly important in both my paintings and my graphics.”

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