“For what man has sought for is, indeed, neither pain nor pleasure, but simply Life. Man has sought to live intensely, fully, perfectly. When he can do so without exercising restraint on others, or suffering it ever, and his activities are all pleasurable to him, he will be saner, healthier, more civilised, more himself. Pleasure is Nature's test, her sign of approval. When man is happy, he is in harmony with himself and his environment.”

— Oscar Wilde , book The Soul of Man under Socialism

The Soul of Man Under Socialism (1891)

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Oscar Wilde 812

Irish writer and poet 1854–1900

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“The man who has given himself to his country loves it better; the man who has fought for his friend honors him more; the man who has labored for his community values more highly the interests he has sought to conserve; the man who has wrought and planned and endured for the accomplishment of God's plan in the world sees the greatness of it, the divinity and glory of it, and is himself more perfectly assimilated to it.”

Richard Salter Storrs (1821–1900) American Congregational clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 130.

“A litigant to winning so devotes his energies
That he never gives his neighbours or himself a moment’s rest,
But for every other pleasure he has neither ears nor eyes.”

Pietro Nelli (1672–1740) Italian painter

Un litigante è di vincer si ingordo,
Che non dà a se, o altrui pace o riposo,
Ma ad ogni altro piacer è cieco e sordo.
Satire, II., IX. — "Peccadigli degli Avvocati."
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 432.

“The discovery of the good taste of bad taste can be very liberating. The man who insists on high and serious pleasures is depriving himself of pleasure; he continually restricts what he can enjoy; in the constant exercise of his good taste he will eventually price himself out of the market, so to speak.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"Notes on 'Camp'" (1964), note 54, p. 291
Against Interpretation and Other Essays (1966)
Context: The discovery of the good taste of bad taste can be very liberating. The man who insists on high and serious pleasures is depriving himself of pleasure; he continually restricts what he can enjoy; in the constant exercise of his good taste he will eventually price himself out of the market, so to speak. Here Camp taste supervenes upon good taste as a daring and witty hedonism. It makes the man of good taste cheerful, where before he ran the risk of being chronically frustrated. It is good for the digestion.

“Every living creature is happy when he fulfills his destiny, that is, when he realizes himself, when he is being that which in truth he is. For this reason, Schlegel, inverting the relationship between pleasure and destiny, said, “We have a genius for what we like.” Genius, man’s superlative gift for doing something, always carries a look of supreme pleasure.”

José Ortega Y Gasset (1883–1955) Spanish liberal philosopher and essayist

Source: What is Philosophy? (1964), pp. 16-17

“Many a man thinks he is buying pleasure when he is really selling himself a slave to it.”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …

“Man—every man—is an end in himself, not a means to the ends of others; he must live for his own sake, neither sacrificing himself to others nor sacrificing others to himself; he must work for his rational self-interest, with the achievement of his own happiness as the highest moral purpose of his life.”

Ayn Rand (1905–1982) Russian-American novelist and philosopher

The Ayn Rand Column ‘Introducing Objectivism’

“So far as one understands a man, one is that man. The man of genius takes his place in the above argument as he who understands incomparably more other beings than the average man. Goethe is said to have said of himself that there was no vice or crime of which he could not trace the tendency in himself, and that at some period of his life he could not have understood fully. The genius, therefore, is a more complicated, more richly endowed, more varied man; and a man is the closer to being a genius the more men he has in his personality, and the more really and strongly he has these others within him.”

Otto Weininger book Sex and Character

Einen Menschen verstehen heißt also: auch er sein. Der geniale Mensch aber offenbarte sich an jenen Beispielen eben als der Mensch, welcher ungleich mehr Wesen versteht als der mittelmäßige. Goethe soll von sich gesagt haben, es gebe kein Laster und kein Verbrechen, zu dem er nicht die Anlage in sich verspürt, das er nicht in irgend einem Zeitpunkte seines Lebens vollauf verstanden habe. Der geniale Mensch ist also komplizierter, zusammengesetzter, reicher; und ein Mensch ist um so genialer zu nennen, je mehr Menschen er in sich vereinigt, und zwar, wie hinzugefügt werden muß, je lebendiger, mit je größerer Intensität er die anderen Menschen in sich hat.
Source: Sex and Character (1903), p. 106.

“A man who lies to himself, and believes his own lies, becomes unable to recognize truth, either in himself or in anyone else, and he ends up losing respect for himself and for others. When he has no respect for anyone, he can no longer love, and in him, he yields to his impulses, indulges in the lowest form of pleasure, and behaves in the end like an animal in satisfying his vices. And it all comes from lying — to others and to yourself.”

Fyodor Dostoyevsky (1821–1881) Russian author

Variant translations:
Above all, do not lie to yourself. A man who lies to himself and listens to his own lie comes to a point where he does not discern any truth either in himself or anywhere around him, and thus falls into disrespect towards himself and others. Not respecting anyone, he ceases to love, and having no love, he gives himself up to passions and coarse pleasures, in order to occupy and amuse himself, and in his vices reaches complete bestiality, and it all comes from lying continually to others and to himself. A man who lies to himself is often the first to take offense. It sometimes feels very good to take offense, doesn't it? And surely he knows that no one has offended him, and that he himself has invented the offense and told lies just for the beauty of it, that he has exaggerated for the sake of effect, that he has picked on a word and made a mountain out of a pea — he knows all of that, and still he is the first to take offense, he likes feeling offended, it gives him great pleasure, and thus he reaches the point of real hostility… Do get up from your knees and sit down, I beg you, these posturings are false, too.
Part I, Book I: A Nice Little Family, Ch. 2 : The Old Buffoon; as translated by Richard Pevear and Larissa Volokhonsky, p. 44
The Brothers Karamazov (1879–1880)

“Tarzan of the Apes was no sentimentalist. He knew nothing of the brotherhood of man. All things outside his own tribe were his deadly enemies, with the few exceptions of which Tantor, the elephant, was a marked example.
And he realized all this without malice or hatred. To kill was the law of the wild world he knew. Few were his primitive pleasures, but the greatest of these was to hunt and kill, and so he accorded to others the right to cherish the same desires as he, even though he himself might be the object of their hunt.
His strange life had left him neither morose nor bloodthirsty. That he joyed in killing, and that he killed with a joyous laugh upon his handsome lips betokened no innate cruelty. He killed for food most often, but, being a man, he sometimes killed for pleasure, a thing which no other animal does; for it has remained for man alone among all creatures to kill senselessly and wantonly for the mere pleasure of inflicting suffering and death.
And when he killed for revenge, or in self-defense, he did that also without hysteria, for it was a very businesslike proceeding which admitted of no levity.”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 10 : The Fear-Phantom

“A man, to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and many others; the pains and pleasures of his species must become his own. The great instrument of moral good is the imagination.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

Source: A Defence of Poetry and Other Essays

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