“I find it breathtaking […] that when musical composition competitions are held, the contestants often do not submit tapes or records (or live performances) of their works they submit written scored, and the judges confidently make their aesthetic judgements on the basis of just reading the scores and hearing the music in their minds. How good are the best musical imaginations? Can a trained musician, swiftly reading a score tell just how that voicing of dissonant oboes and flutes over the massed strings will sound?”

“Yes, in the sense that the negative is like the composer’s score. Then, using that musical analogy, the print is the performance.”

“If the listener does eventually come to the point where he makes the ultimate performance by splicing tapes from other musicians' recordings, he will eventually become just as bored with it as with other recordings, for it will still always be the same. Look, for instance, at electronic music. The boys are already becoming bored with what they do because they put it irrevocably on tape. The best indication of this is that more and more they are mixing the live performance element with their tapes.”

“There are some directors who actually fear the possible success of music. They fear that the audience or the critics will think the film has worked because there was a very good music score.”

“Creating an action score can be quite challenging because action music can become too overwhelming. If all the music in the game is high energy it will become monotonous. I set out to build a pace in the score, so that there would be a variety of emotions and energy levels in the music. The challenge became to create these different music styles while still maintaining an action feel.”

“If you read about African music, they believe that during the process of making this music that you come into contact with spirits from another plane. They say that this place is like a mirror of the world we live in…With the best music, you don't find the composer or the musicians within the work, you find yourself, your own feelings.”

“To him the stars seemed like so many musical notes affixed to the sky, just waiting for somebody to unfasten them. Someday the sky would be emptied, but by then the earth would be a constellation of musical scores”

“I thought my life would seem more interesting with a musical score and a laugh track.”

“Unlike American film score composers, Japanese film score composers are given only three or four days in which to write the music for a movie. Because of this, I have almost always been very frustrated while writing a score. I therefore can't select any of my scores as favorites.”

“Dad used to say it’s [live recording] the backbone for any musical endeavour. And I’ve realised that with time. So most often, my re-recordings are live. Technology does enhance music, but the warmth of a live orchestra is incomparable. Fans wrote to me after ‘Oru Devadai…’ (“Vaamanan”) saying the score had a divine quality. That’s because it was done live. Besides, I’m also conscious of the employment problem that technology-driven music creates.”