
As quoted in Gems of Thought : Being a Collection of More Than a Thousand Choice Selections, Or Aphorisms, from Nearly Four Hundred and Fifty Different Authors, and on One Hundred and Forty Different Subjects (1888) edited by Charles Northend
Act I.
The Good-Natured Man (1768)
As quoted in Gems of Thought : Being a Collection of More Than a Thousand Choice Selections, Or Aphorisms, from Nearly Four Hundred and Fifty Different Authors, and on One Hundred and Forty Different Subjects (1888) edited by Charles Northend
1B:8, In relation to righteousness and the overthrow of the tyrannous King Zhou of Shang, as translated in China (1904) by Sir Robert Kennaway Douglas, p. 8
Variant translations:
The ruffian and the villain we call a mere fellow. I have heard of killing the fellow Chou; I have not heard of killing a king.
As translated in Free China Review, Vol. 5 (1955)
I have merely heard of killing a villain Zhou, but I have not heard of murdering the ruler.
1B:8 as translated by Wing-tsit Chan in A Source Book in Chinese Philosophy (1963), p. 78
The Mencius
Context: He who outrages benevolence is called a ruffian: he who outrages righteousness is called a villain. I have heard of the cutting off of the villain Chow, but I have not heard of the putting of a ruler to death.
“He sets a thief to guard his purse
Who trusts a dial with his hours”
The Golden Ass (1999)
Context: He sets a thief to guard his purse
Who trusts a dial with his hours
Or bids a sand-glass bleed away his nights,
His days, his loves, his pleasures and his powers.
The burthen of his years
Is Time's soft footfall, Time's soft
Falling
Through his joys and tears.
, in an interview with Greenaway in the Washington DC City Paper, 6 Apr 1990
About Greenaway
"Some Reflections on Othello and the Nature of Our Time." in The American Scholar (Autumn 1945); also quoted in Paul Robeson : The Whole World in His Hands (1981) by Susan Robeson, p. 150
Context: It was deeply fascinating to watch how strikingly contemporary American audiences from coast to coast found Shakespeare's Othello — painfully immediate in its unfolding of evil, innocence, passion, dignity and nobility, and contemporary in its overtones of a clash of cultures, of the partial acceptance of and consequent effect upon one of a minority group. Against this background, the jealousy of the protagonist becomes more credible, the blows to his pride more understandable, the final collapse of his personal, individual world more inevitable. But beyond the personal tragedy, the terrible agony of Othello, the irretrievability of his world, the complete destruction of all his trusted and sacred values — all these suggest the shattering of a universe.
“Trusting no man as his friend, he could not recognize his enemy when the latter actually appeared.”
Source: The Scarlet Letter (1850), Chapter X: The Leech and His Patient
“God is God. He knows what he is doing. When you can’t trace his hand, trust his heart.”
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 222.