“Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.”

— Aldous Huxley , book The Doors of Perception

The Doors of Perception (1954)

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Aldous Huxley 290

English writer 1894–1963

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“I strongly suspect that most of the great knowers of Suchness paid very little attention to art.… (To a person whose transfigured and transfiguring mind can see the All in every this, the first-rateness or tenth-rateness of even a religious painting will be a matter of the most sovereign indifference.) Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.”

Aldous Huxley book The Doors of Perception

The Doors of Perception (1954)

“I have composed this work neither for the common people, nor for beginners, nor for those who occupy themselves only with the Law as it is handed down without concerning themselves with its principles. The design of this work is rather to promote the true understanding of the real spirit of the Law”

Maimónides book The Guide for the Perplexed

As quoted in The Jewish Encyclopedia (12 vols. 1901-1906) http://www.jewishencyclopedia.com/view.jsp?artid=905&letter=M
Guide for the Perplexed (c. 1190), Introduction
Context: I have composed this work neither for the common people, nor for beginners, nor for those who occupy themselves only with the Law as it is handed down without concerning themselves with its principles. The design of this work is rather to promote the true understanding of the real spirit of the Law, to guide those religious persons who, adhering to the Torah, have studied philosophy and are embarrassed by the contradictions between the teachings of philosophy and the literal sense of the Torah.

“The ultimate politeness in art consists of speaking only to those who are able to uncover and measure its relationships. Anything else is symbolic, and symbolism is merely transcendental imagery.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988)

“Is anyone who's supposed to be dead actually dead?”

Karen Marie Moning (1964) author

Source: Shadowfever

“I performed at a show at the MoMA. There was this big dinner there, and I was seated in this hall with the mayor of New York and all these extremely wealthy art-supporting and art-buying people. There was a piece of work hanging in the hall-it was a fan. This fan was supposed to swing by the momentum of its own propeller. So, while we were having dinner, the fan was stopped, and the guy next to me, a curator at P. S.1, said, "Look, this is what art symbolizes today." Like, that piece of art is supposed to be moving, but just to have dinner we've stopped the art. That's what New York is like today. You can't have real art happen in an institution because rich people can make the world stop. The stuff on the street is a lot more interesting.”

M.I.A. (1975) British recording artist, songwriter, painter and director

Interview http://www.interviewmagazine.com/art/kehinde-wiley/#page2 with Kehinde Wiley on the "recycled object" for Interview magazine (2008)
Sourced quotes

“In a strict usage the same symbol should never represent the act of sincerely asserting something and the content of what is asserted. For the symbolic distinction between the two, Frege has introduced the 'signpost' symbol. … \vdash p is to signify the actual assertion of p, while the bare symbol p must henceforth be used only as part of a sentence. … It should be clear from the modality of a sentence whether it is a question, a command, an invective, a complaint or an allegation of fact.”

Michael Polanyi (1891–1976) Hungarian-British polymath

Source: Personal Knowledge (1958), p. 27

“As a general rule—never substitute the symbol for the thing signified, unless it is impossible to show the thing itself; for the child's attention is so taken up with the symbol that he will forget what it signifies.”

Jean Jacques Rousseau book Emile, or On Education

Emile, or On Education (1762), Book III

“Moses and Elijah are redeemers in a single redemption; the beginner and the ender, the opener and closer together fill the unit.”

Abraham Isaac Kook book Orot

LXI : Redemption an Ongoing Process, as translated by Rabbi Bezalel Naor, p. 139 http://www.orot.com/lights.html
Orot
Context: The redemption continues. The redemption from Egypt and the complete redemption of the future are one unending action: the action of the strong hand and outstretched arm, which began in Egypt and works though all eventualities. Moses and Elijah are redeemers in a single redemption; the beginner and the ender, the opener and closer together fill the unit. The spirit of Israel hears the sound of the movements, the redemptive actions, brought about through all eventualities until the sprouting of redemption will be complete, in all its plentitude and [goodness].

“The composer does not sit around and wait for an inspiration to walk up and introduce itself…Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel.”

George Gershwin (1898–1937) American composer and pianist

Isaac Goldberg Tin Pan Alley (New York: John Day, 1930) p. viii.

“{Music symbolizes the loss of faith, of common belief. ] The small, intimate church is closed, the organs are dead, it is sadder than before. Only those whom fate designs for the eternal mass of infinite love remain. They compose only a very small chapel of clarity in space and time.”

Louis-ferdinand Céline (1894–1961) French writer

45
Mea culpa; suivi de la vie et l'oeuvre de Semmelweis (1937)

“Art, I suppose, is only for beginners, or else for those resolute dead-enders, who have made up their minds to be content with the ersatz of Suchness, with symbols rather than with what they signify, with the elegantly composed recipe in lieu of actual dinner.”

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Aldous Huxley 290

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