
Source: The Concept of Criticism in German Romanticism (1919), p. 161
Speech at the Prussian Academy of Art in Berlin (22 January 1929); also in Essays of Three Decades (1942)
Source: The Concept of Criticism in German Romanticism (1919), p. 161
The Cosmos as a Poem (2010)
The Aquarian Conspiracy (1980), Chapter Five, The American Matrix for Transformation
"Tradition-Bound Literature and Traditionless Painting"
The Struggle of the Modern (1963)
Dawns and Dusks, reprinted in Theories and documents of contemporary art: A sourcebook of artists' writings edited by Kristine Stiles, Peter Howard Selz, p. 511
Dieu se manifeste à nous au premier degré à travers la vie de l’univers, et au deuxième degré à travers la pensée de l’homme. La deuxième manifestation n’est pas moins sacrée que la première. La première s’appelle la Nature, la deuxième s’appelle l’Art.
Part I, Book II, Chapter I
William Shakespeare (1864)
Source: Time in History: Views of Time from Prehistory to the Present Day (1988), p.22
Original: (it) Per la tua arte, punta sempre in alto e infrangi le regole. Per poter realizzare, bisogna amare la libertà di creare.
Source: prevale.net