“What a struggle I had to make on that ['Mother and Child']. You would say, a nice assignment to make something good out of it, isn't it. I myself thought it that way. So I went to Heeze, I made a mass of studies of women with children, came back with the sketches to my studio... Oh, what an obsession..”

— Suze Robertson

(version in original Dutch / origineel citaat van Suze Robertson:) Wat heb ik dáár op getobd ['Moeder en Kind']. Ge zoudt zeggen, niet waar: 'n opgaaf [opdracht] om best iets goed van te maken. Dat dacht ik ook. 'k ging dus naar nl:Heeze, maakte er massa's studies van vrouwen met kinderen, kwam daarmee op m'n atelier terug.. .Maar wat een obsessie..
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 34

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Suze Robertson 18

Dutch painter 1855–1922

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(version in original Dutch / origineel citaat van Suze Robertson:) Toen ben ik er op 'n goeden dag eens op uit getrokken [c. 1880], naar buiten. Ik ging naar nl:Dongen, bracht er enkele interieur-studies uit mee, om te proberen daar wat van te maken.
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(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) Wat mijn werk betreft zit ik aan enige kleine schilderijtjes, een is mij besteld en die andere moet ik avonturen. Ik voel hoe langer hoe langs hoe meer dat ik zooveel studie te kort kom, als ik geld had schilderde ik in het eerste jaar geen schilderij en studeer ik [schetsen], maar enfin je moet eens door een zure appel heenbijten, het zal mij moeite genoeg kosten om te kunnen leven.
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translation from the original Dutch: Fons Heijnsbroek
version in Dutch (citaat van Jozef Israëls, in het Nederlands): ..maar, ik moet ze [een schets van moeder met kind aan de borst] heel gauw terug hebben, want ik hecht eraan.. .Zoo'n schets is een deel van mijn leven; die blijft altijd. Die gebruik ik tien, twintig maal.. .'t Is een basis, waar ik op bouw.
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