
“His views on matters of fine art were appreciated by everyone not only in India but also abroad.”
V.V.Giri, in "Maharajah of music"
Interview, Philadelphia Press; quoted in Lloyd Goodrich, Thomas Eakins (1933).
“His views on matters of fine art were appreciated by everyone not only in India but also abroad.”
V.V.Giri, in "Maharajah of music"
n.p.
1950 - 1971, Why Have There Been No Great Women Artists' - Rosalyn Drexler with Elaine de Kooning (1971)
Articles, 10 Things to Celebrate: Why I'm an Anti-Anti-American (June 2003)
translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich denke immer viel über die Kunstschule nach [ die Walden seit 1915/16 anfangen möchte].. .Wenn unser Streben wirklich in der Zukunft grosse Fortschritte machen soll, muss die Kunstschule Individualitäten hervorbringen, die durch uns wirklich vo inneren heraus weiter können und anfangen zu schaffen, ohne immer Bilder von anderen zu sehen.
Quote in a letter of Jacoba van Heemskerck to Herwarth Walden in Berlin, 15 August 1917; as cited in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, pp. 15-16
1910's
n. p.
1950 - 1971, Why Have There Been No Great Women Artists' - Rosalyn Drexler with Elaine de Kooning (1971)
posthumous
Source: 'Joan Sloan' Hopper', p. 172; as quoted in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 39
Quote of 1942; in Barnett Newman', by Thomas B. Hess, museum of Modern art, New York 1971; as cited in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 124-125
1940 - 1950
from: 'Lebenserinnerungen', 1938
Source: 1936 - 1941, Life Memories' (1938), p. 20
My Journey: Transforming Dreams into Actions
as cited by Grace Glueck, in 'Robert Motherwell, Master of Abstract, Dies', by Grace Glueck, 'New York Times, 18 July 1991 https://www.nytimes.com/1991/07/18/obituaries/robert-motherwell-master-of-abstract-dies.html
Undated