“After the war [1918] etching became Kirchner's favorite medium. He attributed this to its responsiveness. 'Etchings', he wrote, 'develop in the first states the most immediate hieroglyphs. Rich in lively handwriting and rich in variety of motifs, the etchings are like a diary of the painter.”
de:Louis de Marsalle, in Uber Kirchners Graphik, Genius 3, no. 2 (1921), p. 258; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 53
1920's
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Ernst Ludwig Kirchner 54
German painter, sculptor, engraver and printmaker 1880–1938Related quotes

quote, c. 1920; in Buchheim, Künstlergemeinschaft Brücke, p. 303; as cited in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, pp. 40-41
The Wall Street Journal, "Comedy Comes Clean," December 1, 2006, page W12, column 1
Source: I Want It Now (1968), Ch. 2, p. 67

posthumous
Source: 'Joan Sloan' Hopper', p. 172; as quoted in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 39

1945 - 1970, A Report on the Wall' 1970

Quote in a letter to his wife, 12 June, 1906; as cited in Paul Klee. Das Frühwerk 1883-1922, p. 50.
1903 - 1910