“[Concerning all painters] working in what is known as the abstract style: [the abstract form] is a living thing…. a carrier of the awesome feelings he felt before the unknowable [common quote of Barnett Newman, Clifford Still, and Mark Rothko, 1947]”

1940 - 1950
Source: the catalogue of the 'Ideographic Picture' show, New York, 1947

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Barnett Newman25

American artist 1905–1970

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“The important thing is that Clyff Still – you know his work? – and Rothko, and I – we've changed the nature of painting… I don't mean there aren't any other good painters. Bill [ Willem the Kooning ] is a good painter, but he's a 'French' painter [Pollock meant: a French-abstract style]. I told him so, the last time I saw him after his last show,… all those pictures in his last show start with an image. You can see it even though he's covered it up, or tried to…. Style – that's the French part of it. He has to cover it up with style.. [answering Seldon Rodman's question]”

Jackson Pollock (1912–1956) American artist

In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's

“I only identified with (Rothko's seriousness, which was absolutely to be admired. At that time, in the 1970's Barnett Newman, with his non-hierarchical structures, his non-relational Color Field painting, seemed more interesting because his work was less pretty.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), pp. 96, note 31

“There are idiots who define my work as abstract; yet what they call abstract is what is most realistic. What is real is not the appearance, but the idea, the essence of things.”

Constantin Brâncuși (1876–1957) French-Romanian artist

Original in French:<br>Il y a des imbéciles qui définissent mon œuvre comme abstraite, pourtant ce qu'ils qualifient d'abstrait est ce qu'il y a de plus réaliste, ce qui est réel n'est pas l'apparence mais l'idée, l'essence des choses. <br class="br"> Caiete Silvane magazine, 2008-11-01, Sculptura pe Internet http://www.caietesilvane.ro/indexcs.php?cmd=articol&idart=232,

“A philosopher of imposing stature doesn't think in a vacuum. Even his most abstract ideas are, to some extent, conditioned by what is or is not known in the time when he lives.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: Attributed from posthumous publications, Dialogues of Alfred North Whitehead (1954), Ch. 29, June 10, 1943.

“To draw and paint is an elementary thing, it has to be done. But it can be a mental process, intellectual process, thought process. *It is a question of temperament of each artist, there are abstract painters, figurative painters, painters who work in silence or who don’t want to work at all, but they continue with ideas in their mind and in their soul. It’s very fascinating; it’s a vast area without rules or regulations.”

S. H. Raza (1922–2016) Indian artist

Culture:S.H. Raza Comes in Full Circle

“One great lesson that we can learn from its systematic absence in the work of the grand theorists is that every self-conscious thinker must at all times be aware of — and hence be able to control — the levels of abstraction on which he is working. The capacity to shuttle between levels of abstraction, with ease and with clarity, is a signal mark of the imaginative and systematic thinker.”

C. Wright Mills book The Sociological Imagination

The Sociological Imagination (1959)

“As for a few others, the vital task was a wedding of abstraction and surrealism. Out of these opposites something new could emerge, and Gorky’s work is a part of the evidence that this is true. What he felt, I suppose, was a sense of polarity, not of dichotomy; that opposites could exist simultaneously within a body, within a painting or within an entire art... These are the opposites poles in his work. Logic and irrationality; violence and gentleness; happiness and sadness, surrealism and abstraction. Out of these elements I think Gorky evolved his style.”

Adolph Gottlieb (1903–1974) American artist

Arshile Gorky Adolph Gottlieb in exhibition catalogue Kootz Gallery New York, 1950; as quoted in Abstract Painting in America, W.C, Seitz p. 104.
1950s

“My work has the abstraction underneath it all now & what I deliberately set out to do down here, for this is the perfect realistic abstraction in landscape.”

Marsden Hartley (1877–1943) American artist

letter to w:Alfred Stieglitz, October 9, 1919, Hartley Archive, Yale University; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 68
1908 - 1920

“Using complex, constructive, noise-producing abstraction, that is, the Futurist Style. Any action developed in space, any emotion felt, will represent for us the intuition of a discovery.”

Giacomo Balla (1871–1958) Italian artist

The Futurist Reconstruction of the Universe (1915)

“The failure of abstract painting is due to the confusion that exists in the understanding of primitive art [as well as that] concerning the nature of abstraction.”

Barnett Newman (1905–1970) American artist

Source: 1940 - 1950, The Plasmic Image 1. 1943-1945, p. 139

“[Concerning all painters] working in what is known as the abstract style: [the abstract form] is a living thing…. a carrier of the awesome feelings he felt before the unknowable [common quote of Barnett Newman, Clifford Still, and Mark Rothko, 1947]”

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Barnett Newman25

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