“Loneliness is a kind of prison.
[Vincent Van Gogh]”
Irving Stone book Lust for Life
Source: Lust for Life
Quote (1911), Diary # 899; as cited by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html <br class="br">speaking in positive terms of Van Gogh and his way of using the line in painting <br class="br">1911 - 1914
“Loneliness is a kind of prison.
[Vincent Van Gogh]”
Irving Stone book Lust for Life
Source: Lust for Life
“It's so easy to love. The only hard thing is to be loved.
[Vincent Van Gogh]”
Irving Stone book Lust for Life
Source: Lust for Life
Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)
version in original Dutch, Weissenbruch tegen Anton Mauve: Hij teekent verdomd goed, ik zou naar zijn studies kunnen werken.
a remark to Anton Mauve, who asked Weissenbruch to visit Vincent van Gogh and see his work
Source: J. H. Weissenbruch', (n.d.), p. 44, note 1
David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor
Ossip Zadkine (1890–1967) French sculptor
Source: 1940 - 1960, Les frères Van Gogh, origine et justification', c. 1955, p. 66
Ossip Zadkine (1890–1967) French sculptor
Source: 1940 - 1960, Les frères Van Gogh, origine et justification', c. 1955, pp. 67-69
Will Gompertz (1965) British journalist
To which the answer is, I would have thought, boring, bordering on pointless.
Think Like an Artist (2015)
Georges Seurat (1859–1891) French painter
Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890
Arthur Koestler book The Act of Creation
The Act of Creation, London, (1970) p. 253.
Context: Einstein's space is no closer to reality than Van Gogh's sky. The glory of science is not in a truth more absolute than the truth of Bach or Tolstoy, but in the act of creation itself. The scientist's discoveries impose his own order on chaos, as the composer or painter imposes his; an order that always refers to limited aspects of reality, and is based on the observer's frame of reference, which differs from period to period as a Rembrant nude differs from a nude by Manet.