“Rhythmical music is that which is made by instruments which render the sound by touch.”

Dictionary of Musical Terms (1475)

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Johannes Tinctoris2

Flemish composer 1435–1511

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“The most sensitive musical instrument is the human soul. The next is the human voice. One must purify the soul until it begins to sound. A composer is a musical instrument and at the same time, a performer on that instrument. The instrument has to be in order to produce sound. One must start with that, not with the music. Through the music the composer can check whether his instrument is tuned and to what key it is tuned.”

Arvo Pärt (1935) Estonian composer

Read from his musical diaries while speaking at St. Vladimir’s Seminary https://vimeo.com/221011528/

“When played at the right sound level, which is quite high and exciting, the tones in this music will cause your ears to act as neurophonic instruments that emit sounds that will seem to be issuing directly from your head.”

Maryanne Amacher (1938–2009) Composer and installation artist

Amacher, 1999, cited in: Franziska Schroeder (2006). Bodily instruments and instrumental bodies. Vol. 25. p. 74:
Description of how "ears act as instruments and emit sounds as well as receive them (Amacher, 1999)... [and] the way these 'otoacoustic emissions' might function."

“On electronic music: "The source is electronic, but what you do with it is the same as with acoustic instruments. Sound is sound and vibration is vibration, whether from an electronic source or an acoustic instrument.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

The way we use these sources is the key in order to define the required musical result. Without neglecting the acoustic conventional instruments, I spend a fair amount of time dealing with the electronic sources of sound. But please do not think computers! Computers are extremely helpful and amazing for a multitude of scientific areas, but for me, when it comes to creation, they are insufficient and slow. Therefore all of my efforts are to stay away from that beast".
2012

“I come from a background of experimental music which mingled real sounds together with musical sounds.”

Ennio Morricone (1928–2020) Italian composer, orchestrator and conductor

“I believe that the use of noise to make music will continue and increase until we reach a music produced through the use of electrical instruments which will make available for musical purposes any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored.”

John Cage (1912–1992) American avant-garde composer

Quote of John Cage, in: 'The Future of Music: Credo' (1937); SILENCE 3-4
1930s

“It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.”

Johann Sebastian Bach (1685–1750) German late baroque era composer

Variant: There's nothing remarkable about it. All one has to do is hit the right keys at the right time and the instrument plays itself.

“The body is an instrument which only gives off music when it is used as a body.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

The Diary Of Anais Nin, Volume Two (1934-1939)
Diary entries (1914 - 1974)
Context: The body is an instrument which only gives off music when it is used as a body. Always an orchestra, and just as music traverses walls, so sensuality traverses the body and reaches up to ecstasy.

“Dolphins, unlike us, do not have manual skills, but their dances, jumps, are perhaps the equivalent of our ballet. Sounds, like music in the Orthodox Church – without musical instruments – are probably their songs, by which they are holding long discourses. It is a semantically organized signal system.”

Jerzy Vetulani (1936–2017) Polish scientist

Vetulani, Jerzy (6 December 2009): W każdym z nas tkwi mr Hyde https://nto.pl/profesor-jerzy-vetulani-w-kazdym-z-nas-tkwi-mr-hyde/ar/4135849, interview. Nowa Trybuna Opolska (in Polish).

“Music has to do with sounds, so we need to find them somewhere and it is preferred to find musical ones. You have two sources for sounds: noises, which always tell you something — a door cracking, a dog barking, the thunder, the storm; and then you have instruments. An instrument tells you, 'la-la-la-la.' Music has to find a passage between noises and instruments. It has to escape. It has to find a compromise and an evasion at the same time; something that would not be dramatic because that has no interest to us, but something that would be more interesting than sounds like Do-Re-Mi-Fa…”

Pierre Schaeffer (1910–1995) French musicologist

Electronic Musician magazine, December 1986
Interviews

“Many times I hear the phrase "the dance of life". It is an expression that touches me deeply, for the instrument through which the dance speaks is also the instrument through which life is lived — the human body.”

Martha Graham (1894–1991) American dancer and choreographer

I Am A Dancer (1952)

“Rhythmical music is that which is made by instruments which render the sound by touch.”

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Johannes Tinctoris2

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