“Nothing moves young people so much as to witness a sublime and virile gloom. Michelangelo's thinker staring down into the abyss of his own thoughts, Beethoven's poignantly drawn lips; these tragical masks of universal suffering touch the crude emotions of youth far more than Mozart's silver melodies or the crystalline light that radiates from Leonardo's figures. Being itself beauty, youth has no need of transfiguration. In the superabundance of its vital forces, it is allured by the tragical, and in its inexperience, is prone to accept the embraces of melancholy. That, too, is why youth is always ready for danger, and ever willing to extend a brotherly hand towards mental pain.”

Broken Lights Diaries 1953-54.

"Reality"
Song lyrics, Reality (2003)

Source: The Greening of America (1970), Chapter I : The Coming American Revolution, p. 3, opening lines

Source: As quoted in The Rise and Fall of the Third Reich: A History of Nazi Germany, William L. Shirer, Simon & Schuster Paperbacks, New York, 1990, p. 249 (May 1, 1937)

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 115.

Original in German: Einen solchen Standpunkt fand Goethe früh in Spinoza, und er erkennet mit Freuden, wie sehr die Ansichten dieses großen Denkers den Bedürfnissen seiner Jugend gemäß gewesen. Er fand in ihm sich selber, und so konnte er sich auch an ihm auf das schönste befestigen.
Johann Peter Eckermann, Gespräche mit Goethe in den letzten Jahren seines Lebens, 1831
A - F

George Bernard Shaw, in Music and Letters, January 1920.
Criticism