“When it came to the tiger, I found that animating the movements of a large feline animal posed some difficulties, as it required precise and miniscule advancements in movement throughout its body. As well as tigers, I also studied domestic cats, and by so doing managed to achieve a combination of mannerisms represented by both. The overall impression is of latent ferocity and a lust for blood, but at the same time there are also slow, graceful movements that mask the creature's power.”

Source: An Animated Life (2003), p. 252

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Ray Harryhausen16

American animator 1920–2013

Erwan Le Corre (1971)

Gregory Ripley (2016). Tao of Sustainability: Cultivate Yourself to Heal the Earth, Three Pines Press.

“The art of motion has always intrigued me. How a body - when it throws its weight from side to side and sits down - actually sits down. What muscles interact to bring that simple movement to its conclusion. Movement is a fascinating process and each creature I have made and animated has had its own character according to its physiognomy.”

Ray Harryhausen (1920–2013) American animator

Source: An Animated Life (2003), p. 7

“[T]he young and the old of widely different races, both with man and animals, express the same state of mind by the same movements.”

Charles Darwin book The Expression of the Emotions in Man and Animals

Source: The Expression of the Emotions in Man and Animals (1872), chapter XIV: "Concluding Remarks and Summary", page 352 http://darwin-online.org.uk/content/frameset?pageseq=380&itemID=F1142&viewtype=image

“Hockey is an art. It requires speed, precision, and strength like other sports, but it also demands an extraordinary intelligence to develop a logical sequence of movements, a technique which is smooth, graceful and in rhythm with the rest of the game.”

Jacques Plante (1929–1986) Canadian ice hockey player

Quoted in Kevin Shea, "One on One with Jacques Plante," http://www.legendsofhockey.net/html/spot_oneononep197802.htm Legends of Hockey.net (2005-05-24)

“The controlled laboratory studies of Harry F. and Margaret K. Harlow… separated infant monkeys… in single cages in an animal colony room where they could develop social relationships… through seeing, hearing, and smelling, but not through touching or movement. These and other studies indicate that it is the deprivation of body contact and body movement—not deprivation of the other body senses—that produces the wide variety of abnormal emotional behaviors in these isolation-reared animals.”

James W. Prescott (1930) American psychologist

"Body Pleasure and the Origins of Violence" (1975)

“As dogs, cats, horses, and probably all the higher animals, even birds, as is stated on good authority, have vivid dreams, and this is shewn by their movements and voice, we must admit that they possess some power of imagination. … Few persons any longer dispute that animals possess some power of reasoning. Animals may constantly be seen to pause, deliberate, and resolve. It is a significant fact, that the more the habits of any particular animal are studied by a naturalist, the more he attributes to reason and the less to unlearnt instincts.”

Charles Darwin book The Descent of Man, and Selection in Relation to Sex

volume I, chapter II: "Comparison of the Mental Powers of Man and the Lower Animals", page 46 http://darwin-online.org.uk/content/frameset?pageseq=59&itemID=F937.1&viewtype=image <br class="br">The Descent of Man (1871)

“Fanatical orthodoxy is in all movements a late development. It comes when the movement is in full possession of power and can impose its faith by force as well as by persuasion.”

Eric Hoffer book The True Believer

Section 85
The True Believer (1951), Part Three: United Action and Self-Sacrifice

“The progress of the colored people on this continent is one of the marvels of modern history. We are perhaps even yet too near to this phenomenon to be able fully to appreciate its significance. That can be impressed on us only as we study and contrast the rapid advancement of the colored people in America with the slow and painful upward movement of humanity as a whole throughout the long human story.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Progress of a People (1924)

“There is movement and movement. There are movements of small tension and movements of great tension and there is also a movement which our eyes cannot catch although it can be felt. In art this state is called dynamic movement. This special movement was discovered by the futurists as a new and hitherto unknown phenomenon in art, a phenomenon which some Futurists were delighted to reflect.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote c. 1915, in: 'Cubofuturism', Malevich, in his Essays on Art, op. cit., vol 2; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 59
1910 - 1920

“It's not a country – it's a world. It's impossible to see the limits... It's only in Russia that I had a similar impression, but it wasn't the same thing. In America you are confronted with a power in movement with force in reserve without end. An unbelievable vitality - a perpetual movement.”

Fernand Léger (1881–1955) French painter

Quote from: Letter from France, vol. 84, No 4, April 1946, pp. 46-62
Quotes of Fernand Leger, 1940's

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