“I could never aspire to Syd's crazed insights and perceptions. In fact for a long time I wouldn't have dreamt of claiming any insights whatsoever. I'll always credit Syd with the connection he made between his personal unconscious and the collective group unconscious. It's taken me 15 years to get anywhere near there. Even though he was clearly out of control when making his two solo albums, some of the work is staggeringly evocative. It's the humanity of it all that's so impressive. It's about deeply felt values and beliefs. Maybe that's what 'Dark Side of the Moon' was aspiring to. A similar feeling.”

— Roger Waters

quoted in Lost In The Woods by Julian Palacios, 1997
Roger Keith "Syd" Barrett

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Roger Waters 52

English songwriter, bassist, and lyricist of Pink Floyd 1943

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“Oh, they [the Media] definitely don't want to know the real Barrett story… there are no facts involved in the Barrett story so they can make up any story they like, and they do. There's a vague basis in fact: Syd was in the band and he did write the material on the first album, 80% of it, but that's all. It is only that one album, and that's what people don't realise. That first album, and one track on the second. That's all; nothing else.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

quoted in Lost In The Woods by Julian Palacios, 1997
Roger Keith "Syd" Barrett

“For the Kabalist, the fact that God expresses Himself, even though His utterances are beyond any human insight, is more important than any specific and coded meaning His words can convey.”

Umberto Eco book Semiotics and the Philosophy of Language

[4] Symbol, 4.4 : The symbolic mode, 4.4.4 : The Kabalistic drift
Semiotics and the Philosophy of Language (1984)
Context: Scholem … says that Jewish mystics have always tried to project their own thought into the biblical texts; as a matter of fact, every unexpressible reading of a symbolic machinery depends on such a projective attitude. In the reading of the Holy Text according to the symbolic mode, "letters and names are not conventional means of communication. They are far more. Each one of them represents a concentration of energy and expresses a wealth of meaning which cannot be translated, or not fully at least, into human language" [On the Kabbalah and Its Symbolism (1960); Eng. tr., p. 36]. For the Kabalist, the fact that God expresses Himself, even though His utterances are beyond any human insight, is more important than any specific and coded meaning His words can convey.
The Zohar says that "in any word shine a thousand lights" (3.202a). The unlimitedness of the sense of a text is due to the free combinations of its signifiers, which in that text are linked together as they are only accidentally but which could be combined differently.

“He could not endure what he found himself going through, and he could not get away. It seemed to him as if he sat behind the tiller of his custom-made unique quibble, facing a red light, green light, amber light all at once; no rational response was possible. Her irrationality made it so. The terrible power, he thought, of illogic. Of the archetypes. Operating out of the drear depths of the collective unconscious which joined him and her — and everyone else — together. In a knot which could never be undone, so long as they lived.
No wonder, he thought, some people, many people, long for death.”

Philip K. Dick book Flow My Tears, the Policeman Said

Source: Flow My Tears, The Policeman Said (1974), Chapter 5 (p. 54)

“I don’t even know if I’ll ever feel what I did when he finished dancing his solo on Wednesday night’s [2007-08-15] show. When he left the ballet world, he was losing his love of dance, and to me, watching that solo, he came full circle. He came back.”

Danny Tidwell (1984) American dancer

Denise Wall, Tidwell's mother, the morning before the final results show. In her mind "he had already won" regardless of the outcome
Rutherford, Laine M. (August 17, 2007). "Beach's Tidwell is voted America's second-favorite dancer" http://content.hamptonroads.com/story.cfm?story=130465&ran=89902 HamptonRoads.com. Retrieved August 17, 2007.
About

“"On the club scene we rate about two out of ten and 'Must try harder.' "We've had problems with our equipment and we can't get the P. A. to work because we play extremely loudly. It's a pity because Syd (singer Syd Barrett) writes great lyrics and nobody ever hears them."”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Melody Maker, August, 1967
Roger Keith "Syd" Barrett

“He told me he was having the time of his life and then fell to the floor unconscious. I didn't take this too personally, although he was not the first person to collapse while talking to me; to tell the truth it has happened quite often.”

Tom Baker (1934) English actor

“I've seen him a couple of times in the arena, and was profoundly impressed by his virtuosity. Rugby football is more or less a sealed book to me, I never having gone in for it, but even I could see he was good. The lissomness with which he moved hither and thither was most impressive, as was his homicidal ardour when doing what I believe is called tackling. Like the Canadian Mounted Police he always got his man, and when he did so the air was vibrant with the excited cries of the morticians in the audience making bids for the body.”

P.G. Wodehouse book Stiff Upper Lip, Jeeves

Stiff Upper Lip, Jeeves (1963)

“He is setting up a mosaic configuration or galaxy for insight … Innis makes no effort to "spell out" the interrelations between the components in his galaxy. He offers no consumer packages in his later work, but only do-it-yourself kits…”

Marshall McLuhan book The Gutenberg Galaxy

Source: The Gutenberg Galaxy (1962), p. 216; this paragraph was quoted as "context (0) - THE INNIS MODE" by John Brunner, the epigraph or first chapter in his novel Stand on Zanzibar (1968)
Context: There is nothing willful or arbitrary about the Innis mode of expression. Were it to be translated into perspective prose, it would not only require huge space, but the insight into the modes of interplay among forms of organisation would also be lost. Innis sacrificed point of view and prestige to his sense of the urgent need for insight. A point of view can be a dangerous luxury when substituted for insight and understanding. As Innis got more insight he abandoned any mere point of view in his presentation of knowledge. When he interrelates the development of the steam press with 'the consolidation of the vernaculars' and the rise of nationalism and revolution he is not reporting anybody's point of view, least of all his own. He is setting up a mosaic configuration or galaxy for insight … Innis makes no effort to "spell out" the interrelations between the components in his galaxy. He offers no consumer packages in his later work, but only do-it-yourself kits...

“There were so many times I thought, "I'll have the album finished this year, definitely, we'll get it out this year." Then there were a couple of years where I thought, "I'm never gonna do this."”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

If I could make albums quicker, I'd be on a roll wouldn't I? Everything just seems to take so much time. I don't know why. Time… evaporates.
MOJO interview (2005)

“I am a believer in unconscious cerebration. The brain is working all the time, though we do not know it. At night it follows up what we think in the daytime. When I have worked a long time on one thing, I make it a point to bring all the facts regarding it together before I retire; I have often been surprised at the results… We are thinking all the time; it is impossible not to think.”

Alexander Graham Bell (1847–1922) scientist and inventor known for his work on the telephone

Bell Telephone Talk (1901)

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