“There is a limited supply of excellent songs, but I am not the only one. Paul McCartney, one of the best songwriters of all time, has only produced manure for the past 25 years. Rock musicians over 30 only produce unimportant material.”

— Noel Gallagher

Noel Gallagher cited in ‘Sir Paul has just written manure for years’ http://www.scotsman.com/what-s-on/music/sir-paul-has-just-written-manure-for-years-1-611044 at scotsman.com, originally published 2 July 2002 (see here http://www.scotsman.com/what-s-on/music/sir-paul-has-just-written-manure-for-years-1-611044)
Controversy with other artists

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Noel Gallagher 60

British musician 1967

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“I talked to Paul McCartney over the years ranging from 1967 to 2004. … At the landmine show he did "God Only Knows" with me and I did "Let It Be" with him. And then I called him about four months ago asking him if he could come out and do — sing a song called "A Friend Like You," which I wrote for him, me and my collaborator wrote for him. And he said he'd love to come out. And he came to the studio and that was one of the bigger thrills of my life to tell you the truth, to produce Paul McCartney. And that was a thrill for me. That was a thrill.”

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“Paul McCartney may be the closest thing our generation has produced to Franz Schubert -- a master of melody, writing tunes anyone can sing, songs that seem to have been there all along. Most people don't realize that "Ave Maria" and "Serenade" were written by Schubert (or that his "Moment Musical in F" so resembles "Martha My Dear"). McCartney writes with similar universality. His "Yesterday" has been recorded by more musicians than any other song in history. Its stepwise melody is deceptively complex, drawing from outside the diatonic scale so smoothly that anyone can sing it, yet few theorists can agree on exactly what it is that McCartney has done.”

Daniel Levitin (1957) American psychologist

The Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2007/05/31/AR2007053101848.html (June 1, 2007)

“It is a question of honesty and courage: “One produces only the necessary””

Patrick Swift (1927–1983) British artist

The Artist Speaks (1951)
Context: Any painter who thinks he has something to say to the people, or anything to contribute to the world of ideas or literature, is treading dangerous ground; the influence of literature on painting is at all times dangerous if not deadly. Painting is a visual art; and the job of the artist must be to create in visual terms the tension experienced. One cannot argue or explain in paint. The aim is not to put in everything that will help, but as little as one can help, so that a picture is in one sense a “sum of destructions”. It is a question of honesty and courage: “One produces only the necessary” — Degas