“While many of us feel a strong emotional attachment to our homeland, we should not allow emotions to deter us from speaking of things the way they really are. It should be remembered that this very surrender to emotion has led to insane and counterproductive atrocities on the scale of the Ankara and Istanbul suicide assaults, as well as the Orly bombing and the Lisbon disaster. By surrendering to emotions we enable the A. R. F. and slogans like "w:Hagop Hagopian" to lead thousands of well-intentioned patriots down a path which does not lead to Armenia, and to sacrifice the lives of young fighters in campaigns which directly contradict the interests of the Armenian people. If we are to achieve even the minimum requirements for Armenian national self-determination, we must approach problems in a serious and sober manner.”

“When I think of art, I think of beauty. Beauty is the mystery of life. It is in the mind, not in the eye. In our minds, we have an awareness of perfection that leads us on... The response to beauty is emotion. Sometimes very subtle emotions of which we are almost not aware, and sometimes our most powerful emotions..”

“We should not suppress our feelings of sadness during our activism. Being upfront with these emotions shows our humanity and gives validation to others feeling the same way.”

“We invalidate and desensitize our children when we try to make them feel better instead of helping them to feel like it is valid and ok to feel exactly how they feel. We do an immense disservice when we teach them by doing this to resist their own negative emotions. Anything we resist persists, and so we trap our children in their negative emotions when we try to help them avoid negative emotion by showing them how to run in the direction of positive emotion. We need to validate (mirror) their feelings and allow them to befriend the way they feel entirely before any action is taken to improve a situation or the way they feel.”

“The advantage of the emotions is that they lead us astray.”

“I am simply painting concrete representation of abstract emotions such as innocent love, ordinary happiness. I do want an emotional response. And I paint about emotions, not about lines. The truth is that it's not the lines that express the emotion. It's the scale of the composition. You know, if you go into a room that has perfect scale, you feel it... If the painting has perfect scale, it moves you. And you have different scale to show different emotions. It's the space between the lines that counts.”

“If belief consists in an emotional reaction of the entire man on an object, how can we believe at will? We cannot control our emotions…. But gradually our will can lead us to the same results by a very simple method: we need only in cold blood act as if the thing in question were real, and keep acting as if it were real, and it will infallibly end by growing into such a connection with our life that it will become real. It will become so knit with habit and emotion that our interests in it will be those which characterize belief.”

“A cover emotion is an emotion that exists to keep you out of a lower vibrational feeling. For example, anger is a cover emotion for fear. The cover emotions are like ice over a lake that prevents you from falling into the deep water beneath. Numbness or lack of feeling is in fact a cover emotion for the emotion of despair.”

“Our nerves are strong, and we do not base our policy on emotions.”

“Oldboy makes us feel a part of something bigger than ourselves. It's a grand, gritty, indelible experience, the sort of picture that mimics great literature in the way it envelops you in a well-told story while also evoking subtle but strong gradations of emotion.”