Marshall E. Dimock (1903–1991) American writer
Source: "The Meshing of Line and Staff", 1945, pp. 102-104, as cited in Albert Lepawsky (1949), Administration, p. 306-7
Source: Efficiency as a Basis for Operation and Wages, p. 70; Cited in: Morgen Witzel (2003) Fifty Key Figures in Management. p. 79
Marshall E. Dimock (1903–1991) American writer
Source: "The Meshing of Line and Staff", 1945, pp. 102-104, as cited in Albert Lepawsky (1949), Administration, p. 306-7
Hans Haacke (1936) conceptual political artist
1990s, Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere, 1998
Piet Mondrian (1872–1944) Peintre Néerlandais
In 'Neo-Plasticism: Home – Street – City', Piet Mondriaan, 'i 10', Jan. 1927
1920's
“Somedays the line I walk turns out to be straight -
Other days the line tends to deviate.”
Ani DiFranco (1970) musician and activist
In or Out
Song lyrics
“Drawing the line,
The Boundary line
Between this form and that
Is what the mind does.”
Alex Grey (1953) American artist
Art Psalms (2008), Let Love Draw the Line
“The line between failure and success is so fine… that we are often on the line and do not know it.”
Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul
Ken Thompson (1943) American computer scientist, creator of the Unix operating system
"Unix and Beyond: An Interview with Ken Thompson," 1999
Context: Unix was a very small, understandable OS, so people could change it at their will. It would run itself—you could type "go" and in a few minutes it would recompile itself. You had total control over the whole system. So it was very beneficial to a lot of people, especially at universities, because it was very hard to teach computing from an IBM end-user point of view. Unix was small, and you could go through it line by line and understand exactly how it worked. That was the origin of the so-called Unix culture.
Robert Hunter (author) (1874–1942) American sociologist, author, golf course architect
Source: Poverty (1912), p. 7
Context: To be above the poverty line, means no more than to have a sanitary dwelling and sufficient food and clothing to keep the body in working order. It is precisely the same standard that a man would demand for his horses or slaves. Treating man merely as the "repository of a certain sort of labor power," it makes possible the utilization of that power to the fullest extent. No one will fail to realize how low such a standard is. It does not necessarily include any of the intellectual, aesthetic, moral, or social necessities; it is a purely physical standard...
Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist
"Haiku and Englyn" in The Toronto Daily Star (4 April 1959), republished in The Enthusiasms of Robertson Davies (1979) edited by Judith Skelton Grant, p. 241.