
Source: Keeping Together in Time (1995), Ch. 4: Religious Ceremonies.
Source: 1930s, On my Painting (1938), p. 16
Source: Keeping Together in Time (1995), Ch. 4: Religious Ceremonies.
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
This being the case, it is evident that the onus probandi [burden of proof] ought to lie with those who are willing to establish such an hypothesis, for it does not appear that Nature is in the habit of using one and the same mechanism with any two of our senses. Witness the vibration of air that makes sound, the effluvia that occasion smells, the particles that produce taste, the resistance or repulsive powers that affect the touch—all these are evidently suited to their respective organs of sense.
Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works" on his discovery of the infrared.
Review of Archibald Alison's Essays on the Nature and Principles of Taste, in the Edinburgh Review (May 1811)
Quote in 'John Cage, For the Birds: John Cage In Conversation with Daniel Charles', London/New York: Marion Boyars, 1981; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d’Art de Catalunya (MNAC ), p. 17, note 10
1980s
Source: 1930s, On my Painting (1938), pp. 17-18
“Dreams can change histories and songs can alter destinies.”