“A painter must compensate the natural deficiencies of his art. He has but one sentence to utter, but one moment to exhibit. He cannot, like the poet or historian, expatiate.”

Source: To the Memory of My Beloved, the Author, Mr. William Shakespeare (1618), Lines 55 - 70
Context: Yet must I not give nature all: thy art,
My gentle Shakspeare, must enjoy a part.
For though the poet's matter nature be,
His art doth give the fashion. And that he
Who casts to write a living line, must sweat,
(Such as thine arc) and strike the second heat
Upon the muses anvil; turn the fame,
And himself with it, that he thinks to frame;
Or for the laurel, he may gain a scorn,
For a good poet's made, as well as born.
And such wert thou. Look how the father's face
Lives in his issue, even so the race
Of Shakspeare's mind and manners brightly shines
In his well-turned, and true filed lines:
In each of which he seems to shake a lance,
As brandish'd at the eyes of ignorance.

Holmes attributed the remark "Good Americans, when they die, go to Paris" to "one of the wittiest of men". Later writers have attributed the saying to friend and fellow Saturday Club member Thomas Gold Appleton. In 1859, Ralph Waldo Emerson, also a member of that club, recorded in one of his journals, "T. Appleton says, that he thinks all Bostonians, when they die, if they are good, go to Paris." Emerson in His Journals, ed. Joel Porte (1982), p. 486. Neither sentence has been found in the published writings of Appleton, but the remark may have been made in the presence of Holmes and Emerson. Oscar Wilde used the Holmes version in The Picture of Dorian Gray (1890), p. 75 (Complete Works, vol. 4, 1923), and A Woman of No Importance (1893), p. 180 (Complete Works, vol. 7, 1923).
The Autocrat of the Breakfast Table (1858)

Page 136; from his "Music and Life" (1951).
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Paris 1923
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 312
Quotes, 1920's

Source: The Moon is a Harsh Mistress

Quote in his letter to brother Theo, from Arles, Autumn 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 540), pp. 22-23
1880s, 1888

Joseph Kosuth in: Arthur R. Rose, “Four Interviews,” Arts Magazine (February, 1969).

Now this is very different in the case of men, for theirs is a double nature mixed up in one, that of soul and body; the former divine, the latter full of darkness and obscurity: hence naturally arise warfare and discord between the two.
Upon the Sovereign Sun (362)

A Handbook for Young Painters