Paul Lewis Anderson (1880–1956) American photographer and writer
Source: Pictorial Photography - It's Principles and Practice (1917), Chapter I - The Camera, p. 1
Statement to the American Association for the Advancement of Science, in Boston, Massachusetts (27 August 1880): published as "On the Production and Reproduction of Sound by Light" in American Journal of Sciences, Third Series, vol. XX, n°118 (October 1880), pp. 305-324.
Paul Lewis Anderson (1880–1956) American photographer and writer
Source: Pictorial Photography - It's Principles and Practice (1917), Chapter I - The Camera, p. 1
“We cannot be more sensitive to pleasure without being more sensitive to pain.”
Alan Watts book The Wisdom of Insecurity
Source: The Wisdom of Insecurity: A Message for an Age of Anxiety
Marilyn Ferguson (1938–2008) American writer
Source: The Aquarian Conspiracy (1980), Chapter Nine, Flying and Seeing: New Ways to Learn, p. 279
Umberto Boccioni (1882–1916) Italian painter and sculptor
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 154.
1910, Manifesto of Futurist Painters,' April 1910
Max Planck (1858–1947) German theoretical physicist
Das Wesen der Materie [The Nature of Matter], a 1944 speech in Florence, Italy, Archiv zur Geschichte der Max‑ Planck‑ Gesellschaft, Abt. Va, Rep. 11 Planck, Nr. 1797; the German original is as quoted in The Spontaneous Healing of Belief https://archive.org/stream/GreggBradenTheSpontaneousHealingOfBelief/Gregg%20Braden/Gregg%20Braden%20-%20The%20Spontaneous%20Healing%20Of%20Belief#page/n1 (2008) by Gregg Braden, p. 212; Braden mistranslates intelligenten Geist as "intelligent Mind", which is an obvious tautology.
John D. Barrow (1952–2020) British scientist
The Artful Universe (1995)
Context: The Universe has imposed aspects of its structure upon us by the inevitability of the forces of Nature... In a world where adapters succeed, but non-adapters fail, one expects to find vestigial remnants... Many of these adaptations... give rise to a suite of curious byproducts, some of which have played a role in determining our aesthetic sense. We are products of a past world where sensitivities to certain things were a matter of life or death.<!-- Ch. 6, p.246
Richard Feynman book QED: The Strange Theory of Light and Matter
Source: QED: The Strange Theory of Light and Matter (1985), p. 15
“I'm the Imelda Marcos of sunglasses…. Very sensitive eyes to light.”
Bono (1960) Irish rock musician, singer of U2
On his sunglasses; Imelda Marcos famously had a huge collection of shoes.
Rolling Stone interview (2005)
Context: I'm the Imelda Marcos of sunglasses.... Very sensitive eyes to light. If somebody takes my photograph, I will see the flash for the rest of the day. My right eye swells up. I've a blockage there, so that my eyes go red a lot. So it's part vanity, it's part privacy and part sensitivity.
Masaru Emoto (1943–2014) Japanese writer
Source: The Hidden Messages in Water
Gene Wolfe (1931–2019) American science fiction and fantasy writer
"Words Weird and Wonderful", in Castle of the Otter (1982), Reprinted in Gene Wolfe, Castle of Days (1992)
Nonfiction