Oui interview (1979)
Context: Everything on this planet has something to do with music. Music functions in the realm of sculptured air. Polluted as our atmosphere might be, air is the thing that makes music work. Since all other things that occur in the sound domain are transmitted to the ear through that swirling mass, depending on how wide you want to make your definition, you could perceive quite a bit of human experience in terms of music.
“Everything sculpture has, my work doesn’t.”
Donald Judd (1967). quoted in: Joseph Kosuth, (1969), " Art after Philosophy http://www.ubu.com/papers/kosuth_philosophy.html"
1960s
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Donald Judd 33
artist 1928–1994Related quotes
Richard Long & Kenneth Martin (1980) in: D. Ashton (1985), Twentieth-Century Artists on Art, p. 151
1980s
“Half or more of the best new work in the last few years has been neither painting nor sculpture.”
Source: 1960s, "Specific Objects," 1965, p. 74; Lead paragraph; partly cited in: Diane Waldman. Carl Andre https://archive.org/stream/carlandre00wald#page/6/mode/1up. Published 1970 by Solomon R. Guggenheim Museum in New York. p. 6
Context: Half or more of the best new work in the last few years has been neither painting nor sculpture. Usually it has been related, closely or distantly, to one or the other. The work is diverse, and much in it that is not in painting and sculpture is also diverse. But there are some things that occur nearly in common.
Quote, c. 1921; from Lyubov' Popova, in 'Commentary on Drawings', trans. ed. James West, in Art Into Life: Russian Constructivism, 1914-1932; catalogue for exhibition Rizzoli, New York: 1990, p. 69 (Popova's original text, in the Manuscript Division, State Tretiakov Gallery, Moscow, f. 148, ed. khr. 17, 1. 4.)
Richard Long: Books, Prints, Printed Matter. Exhib cat New York Public Library, New York 1994
1990s
“All works of nature created by God in heaven and on earth are works of sculpture.”
Tutte le opera, che si veggono fatte dallo Iddio della Natura in cielo ed in terra, sono tutte di Scultura.
Treatise on Sculpture (1564), opening words, cited from G. P. Carpani (ed.) Vita di Benvenuto Cellini (Milano: Nicolo Bettoni, 1821) vol. 3, p. 199; translation from Jean Paul Richter (ed.) The Literary Works of Leonardo da Vinci (London: Phaidon, 1970) vol. 1, p. 90.
“The man who doesn’t fear, doesn’t live long. I fear everything.”
Source: The Ginger Star (1974), Chapter 5 (p. 32)
Quote of Gabo, as cited in: Simon Wilson (1991), Tate Gallery: An Illustrated Companion, Tate Gallery, London, revised edition. p. 146
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