“Cleansed of its leftist residues, anarchy — anarchism minus Marxism — will be free to get better at being what it is.”
Introduction
Anarchy after Leftism (1997)
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Bob Black 63
American anarchist 1951Related quotes
Anarchism And Other Impediments To Anarchy (1985)
Context: Every organization has more in common with every other organization than it does with any of the unorganized. The anarchist critique of the state, if only the anarchists understood it, is but a special case of the critique of organization. And, at some level, even anarchist organizations sense this.
Anti-anarchists may well conclude that if there is to be hierarchy and coercion, let it be out in the open, clearly labeled as such. Unlike these pundits (the right-wing "libertarians", the minarchists, for instance) I stubbornly persist in my opposition to the state. But not because, as anarchists so often thoughtlessly declaim, the state is not "necessary". Ordinary people dismiss this anarchist assertion as ludicrous, and so they should. Obviously, in an industrialized class society like ours, the state is necessary. The point is that the state has created the conditions in which it is indeed necessary, by stripping individuals and face-to-face voluntary associations of their powers. More fundamentally, the state's underpinnings (work, moralism, industrial technology, hierarchic organizations) are not necessary but rather antithetical to the satisfactions of real needs and desires. Unfortunately, most brands of anarchism endorse all these premises yet balk at their logical conclusion: the state.
If there were no anarchists, the state would have had to invent them. We know that on several occasions it has done just that. We need anarchists unencumbered by anarchism. Then, and only then, we can begin to get serious about fomenting anarchy.

Free Culture (2004)
Context: A free culture has been our past, but it will only be our future if we change the path we are on right now. Like Stallman's arguments for free software, an argument for free culture stumbles on a confusion that is hard to avoid, and even harder to understand. A free culture is not a culture without property; it is not a culture in which artists don't get paid. A culture without property, or in which creators can't get paid, is anarchy, not freedom. Anarchy is not what I advance here. Instead, the free culture that I defend in this book is a balance between anarchy and control. A free culture, like a free market, is filled with property. It is filled with rules of property and contract that get enforced by the state. But just as a free market is perverted if its property becomes feudal, so too can a free culture be queered by extremism in the property rights that define it. That is what I fear about our culture today. It is against that extremism that this book is written.
Anarchism And Other Impediments To Anarchy (1985)
Context: The history of anarchism is a history of unparalleled defeat and martyrdom, yet anarchists venerate their victimized forebears with a morbid devotion which occasions suspicion that the anarchists, like everybody else, think that the only good anarchist is a dead one. Revolution — defeated revolution — is glorious, but it belongs in books and pamphlets. In this century — Spain in 1936 and France in 1968 are especially clear cases — the revolutionary upsurge caught the official, organized anarchists flat-footed and initially non-supportive or worse. The reason is not far to seek. It's not that all these ideologues were hypocrites (some were). Rather, they had worked out a daily routine of anarchist militancy, one they unconsciously counted on to endure indefinitely since revolution isn't really imaginable in the here-and-now, and they reacted with fear and defensiveness when events outdistanced their rhetoric.
In other words, given a choice between anarchism and anarchy, most anarchists would go for the anarchism ideology and subculture rather than take a dangerous leap into the unknown, into a world of stateless liberty.

Source: Russia Under The Bolshevik Regime (1994), p. 245

Lenin Anthology, pp. 119
1900s, One Step Forward, Two Steps Back (1904)

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 36

Source: The Birth of Fascist Ideology: From Cultural Rebellion to Political Revolution, 1994, p. 5