“I always get into arguments, with people who want to retain the old values in painting — the humanistic values that they always find on the canvas. If you pin them down, they always end up asserting that there is something there besides the paint on the canvas. My painting is based on the fact that only what can be seen there is there. It really is an object. Any painting is an object..”

— Frank Stella

Quotes, 1960 - 1970
Source: LIFE http://books.google.com/books?id=XUoEAAAAMBAJ&pg=PA49, Vol. 64, nr. 3, 19 January 1968, p. 49

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Frank Stella 39

American artist 1936

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“My painting is based on the fact that only what can be seen there is there. It really is an object. Any painting is an object and anyone who gets involved enough in this finally has to face up to the objectness of whatever it is that he's doing. He is making a thing.... all I want anyone to get out of my paintings, and all I ever get out of them, is the fact that you can see the whole idea without any confusion... What you see is what you see.”

Frank Stella (1936) American artist

Quote from: 'Questions to Stella and Judd', Bruce Glaser, Art News, September 1966, p 58-59
Quotes, 1960 - 1970

“Beforehand I don't make any drawing of the object or objects which I want to paint on the canvas or panel.... but I start directly to situate the designed plan on the canvas - After having thoroughly sketched and thought over my composition, especially the arrangement of light and dark, I start to paint it broadly with oil-paint and try as much as possible to achieve the hue or the colouring, in which I want to see my landscape.... when it is definitely completed.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik maak vooraf geene tekeningen van het voorwerp of de voorwerpen, die ik op het doek of paneel wil schilderen.. ..maar begin dadelijk het ontworpen plan op het doek te plaatsen – Na mijne compositie eerst behoorlijk geschetst en beredeneerd te hebben, voornamelijk de schikking van licht en donker, begin ik dezelve met olieverw breed te schilderen, zoveel trachtende de tint of het coloriet er in te brengen, in welke ik mijn landschap.. ..wil gezien hebben.. ..als het geheel afgeschilderd is.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 98-99

“The only control that I excercize [in painting] is to not throw too much paint next to the canvas.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

MR1, 177; p. 215
Karel Appel, a gesture of colour' (1992/2009)

“I didn't want to mask variations; I didn't want to record a path. I wanted to get the paint out of the can and onto the canvas... I tried to keep the paint as good as it was in the can.”

Frank Stella (1936) American artist

Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 121

“.. there comes a point when something catches on the canvas, something grips on the canvas. I don’t know what it is, you can put your paint on the surface? Most of the time it looks like paint, and who the hell wants paint on a surface? But there does come a time – you take it off, put it on, goes over here, moves over a foot, as you go closer you start moving in inches not feet, half-inches – there comes a point when the paint doesn't feel like paint. I don't know why. Some mysterious thing happens. I think you have all experienced it.... What counts is that the paint should really disappear, otherwise it's craft. That's what I mean by something grips in a canvas. The moment that happens you are then sucked into the whole thing. Like some kind of rhythm.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, p. 67

“Just to paint a representation or design is not hard, but to express a thought in painting is. Thought is fluid. What you put on canvas is concrete, and it tends to direct the thought. The more you punt on canvas the more you lose control of the thought. I’ve never been able to paint what I set out to paint.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1941 - 1967
Source: Three Hundred Years of American Painting, Alexander Eliot; New York: Time Inc., 1957, p. 298

“Old paint on a canvas, as it ages, sometimes becomes transparent.”

Lillian Hellman book Pentimento

Pentimento: A Book of Portraits (1973), Introduction
Context: Old paint on a canvas, as it ages, sometimes becomes transparent. When that happens it is possible, in some pictures, to see the original lines: a tree will show through a woman's dress, a child makes way for a dog, a large boat is no longer on an open sea. That is called pentimento because the painter "repented," changed his mind. Perhaps it would be as well to say that the old conception, replaced by a later choice, is a way of seeing and then seeing again. That is all I mean about the people in this book. The paint has aged and I wanted to see what was there for me once, what is there for me now.

“It's like this - you are in front of your canvas, you hand holds the paint, ready, raised. The canvas waits, waits, empty and white - but all the time it knows what it wants. So - what does it want, anyway? My hand comes near, my eyes begin to transform the waiting canvas; and when - with my hands holding the paint and my eyes seeing the forms - I touch the canvas, it trembles, it comes to life.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Karel Appel's excerpt', c. 1953

“I have just finished one painting and am already at work on the preliminary drawings for the next one. I must do something in order to get rid of such habits or I won't manage to find time for any vacation. I have had this new painting in my mind since January, and must get it down on canvas.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from his letter to Freundlich, 15 July 15, 1938; as cited in Kandinsky in Paris: 1934-1944 - exhibition catalog, published by The Solomon K. Guggenheim Foundation, New York, 1985, p. 27
1930 - 1944

“[In the past] women painted women: w:Louise Élisabeth Vigée Le Brun, [[w:Mary Cassatt|Mary Cassatt], and so forth... And I thought, men always painted the opposite sex, and I wanted to paint men as sex objects.”

Elaine de Kooning (1918–1989) American painter

In the exhibition's catalog book 'Elaine de Kooning Portraits' - Brandon Fortune quotes Elaine de Kooning, telling scholar Ann Gibson in 1987; - - read more http://newmexicomercury.com/blog/comments/elaine_de_kooning_paints_a_portrait#sthash.LLVWii3U.dpuf
1972 - 1989

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