“But with photography as with drawing or painting, once it is done I want to know whether it holds together or not. That is the real critique. I couldn’t care less if the person to whom I show what I do likes it or not — it takes all sorts to make a world and all that. To criticize is to put oneself in someone else’s shoes and try to figure out what they wanted to do. Only the “why” of things is important to me.”

— Henri Cartier-Bresson

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, We Always Talk Too Much: Conversation with Pierre Assouline (1994), p. 132

Adopted from Wikiquote. Last update Sept. 14, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "But with photography as with drawing or painting, once it is done I want to know whether it holds together or not. That…" by Henri Cartier-Bresson?

Henri Cartier-Bresson 33

French photographer 1908–2004

Related quotes

“I wanted him to hold me, to take care of me. To make the pain dissolve away. I know that this was part of what had ruined everything but I wanted it once more anyway.”

Francesca Lia Block book Echo

Source: Echo

“Why am I trying to become what I don't want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am!”

Arthur Miller book Death of a Salesman

Biff
Source: Death of a Salesman (1949)

“But I felt it was important to put those kinds of decisions in the book. And I've got to tell you I really - I mean, I don't want to be cavalier about it but I've done what I've done and I, frankly, if people like what I did, great. And if they don't like what I did at least read the book. That's all I ask. And at least be open minded enough to figure out the decision making process. Why did I do what I did?”

George W. Bush (1946) 43rd President of the United States

2010s, 2011, Q&A with Former President George W. Bush (January 2011)

“But knowing what I don’t want to do doesn’t help me figure out what I do want to do. I could do just about anything if somebody made me. But I don’t have an image of the one thing I really want to do. That’s my problem now. I can’t find the image.”

Haruki Murakami book The Wind-Up Bird Chronicle

Source: The Wind-Up Bird Chronicle

“In the coming year I must do a large painting which will definitely get me recognized for what I truly am, for I want all or nothing. All those little paintings are not the only thing that I can do... I want to do large-scale painting. One thing is certain, that within five years, I must have a name in Paris; that is what I strive for. It's hard to get there, I know... To move faster I only lack one thing, and that's money, in order to boldly execute what I have in mind.”

Gustave Courbet (1819–1877) French painter

Quote from his letter (10 March 1845); as cited in 'Gustave Courbet', by Georges Riat, Parkstone International, 2015
very soon after this letter Courbet attacked a canvas of eight feet high and ten feet wide
1840s - 1850s

““At least we can put a little sense into life.”
“I don’t know whether we do or whether we find what was always there,” he replied. “Nor do I care greatly. To me, the important thing is that the purpose—order, beauty, spirit, whatever you want to call it—does exist.””

Poul Anderson book The Enemy Stars

Source: The Enemy Stars (1959), Chapter 18 (p. 148)

“I do not like having to try to make myself like things; I like things that make me like them at once and no trying at all.”

Samuel Butler (1835–1902) novelist

On Knowing what Gives us Pleasure, ii
The Note-Books of Samuel Butler (1912), Part XIII - Unprofessional Sermons
Context: I should like to like Schumann’s music better than I do; I dare say I could make myself like it better if I tried; but I do not like having to try to make myself like things; I like things that make me like them at once and no trying at all.

“I was encouraged to look around me and to paint what I saw. I painted my story, and it had a lot of angles to it. I was trying to explain how I saw life as a black person living in America, and I put things together that were not acceptable. A lot of people did not want these kind of paintings representing America in any sense, but I wanted to tell my story and what I saw…”

Faith Ringgold (1930) American artist

On the Civil Rights Movement puncturing the image of the American Dream in https://www.theartnewspaper.com/interview/faith-ringgold-discusses-civil-rights-and-children-s-books-ahead-of-solo-serpentine-gallery-show in The Art Newspaper (2019 Jun 5)

“What do I want from this life? What makes you happy is not enough. All the things that satisfy our instincts only satisfy the animal in us. I want to be proud of myself. I want more. I want to look up to myself and when I die, I want to smile because of the things I have done, not cry for the things I haven't done.”

Tom Hurndall (1981–2004) British activist

Diary, (November 2001) Memorial Address by Jocelyn Hurndall (PDF) https://web.archive.org/web/20060108221709/http://www.tomhurndall.co.uk/memorial/Address%20at%20Memorial%20Westminster%20Cathedral%20_2_.pdf

“See, I never understand why my paintings hold together because I don't have any tricks for doing it and that is usually what makes a painting academic. There were some well-known devices for making a painting work hold together, ave cohesion. This seemed to be organized. But I don't necessarily have to know what the mechanism is. For me, what it really is, is something you have in yourself that makes you feel, it gives the painting a feeling of unity, of oneness, and being of all of one piece.”

Adolph Gottlieb (1903–1974) American artist

Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.

Help us to complete the source, original and additional information

Henri Cartier-Bresson 33

Related quotes

Related topics