
<sub>Resignation letter from National Committee of Labor-Management Group</sub> http://www.historyisaweapon.com/defcon1/fraserresign.html, July 17, 1978; Published in: North Country Anvil, Nr. 28, (1978) p. 22
Source: One Nation Under God: How Corporate America Invented Christian America (2015), p. 292
<sub>Resignation letter from National Committee of Labor-Management Group</sub> http://www.historyisaweapon.com/defcon1/fraserresign.html, July 17, 1978; Published in: North Country Anvil, Nr. 28, (1978) p. 22
Ch. 24 http://historyisaweapon.com/defcon1/zinncomrev24.html
A People's History of the United States (1980)
Context: One percent of the nation owns a third of the wealth. The rest of the wealth is distributed in such a way as to turn those in the 99 percent against one another: small property owners against the propertyless, black against white, native-born against foreign-born, intellectuals and professionals against the uneducated and the unskilled. These groups have resented one another and warred against one another with such vehemence and violence as to obscure their common position as sharers of leftovers in a very wealthy country.
"Political Correctness: Robert Bly and Philip Larkin" (1997)
Context: The reaction against Larkin has been unprecedentedly violent as well as unprecedentedly hypocritical, tendentious and smug. Its energy does not, could not derive from literature — it derives from ideology, or from the vaguer promptings of a new ethos. … This is critical revisionism in an eye-catching new outfit. The reaction, like most reactions, is just an overreaction, and to get an overreaction you need plenty of overreactors — somebody has to do it. … I remember thinking when I saw the fiery Tom Paulin's opening shot, We're not really going to do this, are we? But the new ethos was already in place, and yes, we really were going to do this — on Paulin's terms, too. His language set the tone for the final assault and mop-up, which came with the publication of Andrew Motion's, Philip Larkin: A Writer's Life. Revolting. Sewer. Such language is essentially unstable. It calls for a contest of the passions and hopes that the fight will get dirty.
Source: The Managerial Revolution, 1941, p. 203, as cited in: Albert Lepawsky (1949), Administration, p. 13
Source: One Nation Under God: How Corporate America Invented Christian America (2015), p. 7
As quoted in "The Danger of Cosmic Genius" https://www.theatlantic.com/magazine/archive/2010/12/the-danger-of-cosmic-genius/308306/ by Kenneth Brower, The Atlantic (December 2010)
Context: There’s very good news from the asteroids. It appears that a large fraction of them, including the big ones, are actually very rich in H2O. Nobody imagined that. They thought they were just big rocks … It’s easier to get to an asteroid than to Mars, because the gravity is lower and landing is easier. Certainly the asteroids are much more practical, right now. If we start space colonies in, say, the next 20 years, I would put my money on the asteroids.
Oscar Iden Lecture Series, Lecture 3: "The State of Individuals" (1976)
“War is such a dangerous business that mistakes that come from kindness are the very worst.”
Source: On War (1832), Book 1, Chapter 1, Section 3, Paragraph 1.
Context: Kind-hearted people might of course think there was some ingenious way to disarm or defeat the enemy without too much bloodshed, and might imagine this is the true goal of the art of war. Pleasant as it sounds, it is a fallacy that must be exposed: War is such a dangerous business that mistakes that come from kindness are the very worst.
De cette alliance nouvelle, car jusqu'ici les décors et les costumes, d'une part, la choréographie, d'autre part, n'avaient entre eux qu'un lien factice, il est résulté, dans Parade, une sorte de sur-réalisme.
Excelsior, May 11, 1917; translation from Michael Benedikt & George E. Wellwarth (eds.) Modern French Theatre (New York: Dutton, 1964) p. xvii.
The first usage of the word surrealism in any language.