Harold Rosenberg (1906–1978) American writer and art critic
Source: Art on the Edge, (1975), p. 137, "Criticism and Its Premises"
Source: 2010s, Intellectuals and Society (2010), Ch. 22 : The Influence of Intellectuals
Harold Rosenberg (1906–1978) American writer and art critic
Source: Art on the Edge, (1975), p. 137, "Criticism and Its Premises"
George Maciunas (1931–1978) Lithuanian artist
Maciunas (1963), Fluxus Manifesto, copies of which were thrown into the audience at the Festum Fluxorum Fluxus, Düsseldorf, February 1963.
Rudolf Rocker book Anarcho-Syndicalism
Source: Anarcho-Syndicalism (1938), Ch. 1 "Anarchism: Its Aims and Purposes"
Context: Power operates only destructively, bent always on forcing every manifestation of life into the straitjacket of its laws. Its intellectual form of expression is dead dogma, its physical form brute force. And this unintelligence of its objectives sets its stamp on its supporters also and renders them stupid and brutal, even when they were originally endowed with the best of talents. One who is constantly striving to force everything into a mechanical order at last becomes a machine himself and loses all human feeling.
It was from the understanding of this that modern Anarchism was born and now draws its moral force. Only freedom can inspire men to great things and bring about social and political transformations. The art of ruling men has never been the art of educating men and inspiring them to a new shaping of their lives. Dreary compulsion has at its command only lifeless drill, which smothers any vital initiative at its birth and can bring forth only subjects, not free men. Freedom is the very essence of life, the impelling force in all intellectual and social development, the creator of every new outlook for the future of mankind. The liberation of man from economic exploitation and from intellectual and political oppression, which finds its finest expression in the world-philosophy of Anarchism, is the first prerequisite for the evolution of a higher social culture and a new humanity.
Iannis Xenakis (1922–2001) Greek composer
Formalized Music: Thought and Mathematics in Composition, ISBN 1576470792
“Great art is as irrational as great music. It is mad with its own loveliness.”
George Jean Nathan (1882–1958) American drama critic and magazine editor
From his book House of Satan
Burkard Schliessmann classical pianist
Peter J. Rabinowitz in Fanfare - The Magazin for Serious Record Collectors, USA, January/February 2011, Chopin-Schumann Anniversary Edition 2010 in the interpretation of Burkard Schliessmann, Volume 34, Number 3, p. 255
Igor Stravinsky (1882–1971) Russian composer, pianist and conductor
Source: 1970s and later, Themes and Conclusions (1982), p. 188.
S. I. Hayakawa book Language in Thought and Action
Source: Language in Thought and Action (1949), The Pooling of Knowledge, p. 14