“I thought fit to… explain in detail in the same book the peculiarity of a certain method, by which it will be possible… to investigate some of the problems in mathematics by means of mechanics. This procedure is… no less useful even for the proof of the theorems themselves; for certain things first became clear to me by a mechanical method, although they had to be demonstrated by geometry afterwards… But it is of course easier, when we have previously acquired, by the method, some knowledge of the questions, to supply the proof than it is to find it without any previous knowledge.”

The Method of Mechanical Theorems

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Archimedes 20
Greek mathematician, physicist, engineer, inventor, and ast… -287–-212 BC

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“I propose this theorem to be proved or problem to be solved. If they succeed in discovering the proof or solution, they will acknowledge that questions of this kind are not inferior to the more celebrated ones from geometry either for depth or difficulty or method of proof”

Pierre de Fermat (1601–1665) French mathematician and lawyer

Letter to Frénicle (1657) Oeuvres de Fermat Vol.II as quoted by Edward Everett Whitford, The Pell Equation http://books.google.com/books?id=L6QKAAAAYAAJ (1912)
Context: There is scarcely any one who states purely arithmetical questions, scarcely any who understands them. Is this not because arithmetic has been treated up to this time geometrically rather than arithmetically? This certainly is indicated by many works ancient and modern. Diophantus himself also indicates this. But he has freed himself from geometry a little more than others have, in that he limits his analysis to rational numbers only; nevertheless the Zetcica of Vieta, in which the methods of Diophantus are extended to continuous magnitude and therefore to geometry, witness the insufficient separation of arithmetic from geometry. Now arithmetic has a special domain of its own, the theory of numbers. This was touched upon but only to a slight degree by Euclid in his Elements, and by those who followed him it has not been sufficiently extended, unless perchance it lies hid in those books of Diophantus which the ravages of time have destroyed. Arithmeticians have now to develop or restore it. To these, that I may lead the way, I propose this theorem to be proved or problem to be solved. If they succeed in discovering the proof or solution, they will acknowledge that questions of this kind are not inferior to the more celebrated ones from geometry either for depth or difficulty or method of proof: Given any number which is not a square, there also exists an infinite number of squares such that when multiplied into the given number and unity is added to the product, the result is a square.

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“[T]he methods used for measuring Astronomical distances are in some applications absolutely the same as the methods of ordinary theodolite-surveying, and are in other applications equivalent to them…”

George Biddell Airy (1801–1892) English mathematician and astronomer

Introduction
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“Methods by which engineers stabilise their mechanisms suggest analogous possibilities for stabilising economic systems.”

Arnold Tustin (1899–1994) British engineer

Arnold Tustin (1957) " The mechanism of economic instability http://books.google.com/books?id=Nou8mkjPMPUC&pg=PA8" in: New Scientist, Oct. 27, 1957. p. 8

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“It was in 1929 that Salvador Dali [Dali is writing about himself] brought his attention to hear upon the internal mechanism of paranoiac phenomena and envisaged the possibility of an experimental method based on the sudden power of the systematic associations proper to paranoia; this method afterwards became the delirio-critical synthesis which hears the name of "paranoiac-critical activity."”

Salvador Dalí (1904–1989) Spanish artist

Paranoia: delirium of interpretive association bearing a systematic structure. Paranoiac-critical activity: spontaneous method of irrational knowledge based upon the interpretive-critical association of delirious phenomena.
Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 15

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