“I just can't understand why they carried on with the name. It did them no favours, and however it can be defended, it spoils the memory. It's not so much that it's unforgivable, but it is a pity that we don't see each other and never talk to each other.”

Source: Ender's Game

Source: Adaptation.: The Shooting Script

Source: The Beach (1941), Chapter 3, p. 20

Source: The End of the Affair

Source: The Notebook

Source: The Camel Club

"One"
Lyrics, Achtung Baby (1991)

On her relationship with Jack White
Frampton, Scott (July 2007), "Jack & Meg White". Esquire. 148 (1):118-119

On her song "Running Up That Hill (A Deal with God)", in a Radio 1 Classic Albums interview with Richard Skinner (26 January 1992) http://gaffa.org/cloud/music/running_up_that_hill.html
Context: I was trying to say that, really, a man and a woman, can't understand each other because we are a man and a woman. And if we could actually swap each other's roles, if we could actually be in each other's place for a while, I think we'd both be very surprised! … And I think it would lead to a greater understanding. And really the only way I could think it could be done was either... you know, I thought a deal with the devil, you know. And I thought, "well, no, why not a deal with God!" You know, because in a way it's so much more powerful the whole idea of asking God to make a deal with you. You see, for me it is still called "Deal With God", that was its title. But we were told that if we kept this title that it would not be played in any of the religious countries, Italy wouldn't play it, France wouldn't play it, and Australia wouldn't play it! Ireland wouldn't play it, and that generally we might get it blacked purely because it had God in the title.