“It will take time to get a more settled sense of Thompson’s distinction as a historian and a writer. His work spans too many forms for easy judgement, and its aura can be a temptation to short cuts. But a tension between what might be called his nineteenth and his eighteenth century sensibility was certainly at the creative centre of it.”

Spectrum: From Right to Left in the World of Ideas (2005), Ch. 8. "In Memoriam, Edward Thompson" (1993)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "It will take time to get a more settled sense of Thompson’s distinction as a historian and a writer. His work spans too…" by Perry Anderson?
Perry Anderson photo
Perry Anderson 32
British historian 1938

Related quotes

Jeff VanderMeer photo
John Updike photo

“The creative writer uses his life as well as being its victim; he can control, in his work, the self-presentation that in actuality is at the mercy of a thousand accidents.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Writers on Themselves (1986)

John Gower photo
Dugald Stewart photo
T.S. Eliot photo

“This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his contemporaneity.”

Tradition and the Individual Talent (1919)
Context: The historical sense involves a perception, not only of the pastness of the past, but of its presence; the historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order. This historical sense, which is a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional. And it is at the same time what makes a writer most acutely conscious of his place in time, of his contemporaneity.

Giuseppe Tomasi di Lampedusa photo

“No nineteenth-century writer could have written this nineteenth-century tale; but few twentieth-century writers could have handled its simplicities in the way this one does.”

Giuseppe Tomasi di Lampedusa (1896–1957) Sicilian writer and prince

Martin Seymour-Smith Guide to Modern World Literature (London: Hodder & Stoughton, 1975) vol. 3, p. 30.
Criticism

William Burges photo

“This may, perhaps, take place in the twentieth century, it certainly, as far as I can see, will not occur in the nineteenth.”

William Burges (1827–1881) English architect

Source: Art applied to industry: a series of lectures, 1865, p. 9; Partly cited in: The New Encyclopaedia Britannica: Macropaedia (19 v.) Encyclopaedia Britannica, 1983. p. 514
Context: At present the fashion appears to have set in in favour of two very distinct styles. One is a very impure and bastard Italian, which is used in most large secular buildings; and the other is a variety of the architecture of the thirteenth century, often, I am sorry to say, not much purer than its rival, especially in the domestic examples, although its use is principally confined to ecclesiastical edifices. It is needless to say that the details of these two styles are as different from each other as light from darkness, but still we are expected to master both of them. But it is most sincerely to be hoped that in course of time one or both of them will disappear, and that we may get something of our own of which we need not be ashamed. This may, perhaps, take place in the twentieth century, it certainly, as far as I can see, will not occur in the nineteenth.

Ernest Hemingway photo
Sören Kierkegaard photo
Premchand photo

Related topics